10 - Dual Machines

Every preset in this bank contains two full blown stereo processors, ready for your tracking, mixing or FoH work. All effect types are available here, taking advantage of four inputs and outputs to independently manage the two algorithms. For 48K operation, you easily can turn your H9000 into 32 stereo independent machines by loading four of these presets into each FX Chain.

#1010 6 V Dlys & Verb

Ins 1&2>6 dly lines w/pre diffusor, modulation & hicut > Outs 1&2. Stereo I/O Ins3&4 > verb w/early reflections, echoes & diffusors > Outs 3&4. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[G]

96kHz

4, 4

#1011 Band Dlys 4_AmbienceEmpty

Ins 1&2 > Band Dlys 4 > Outs 1&2 Stereo I/O Ins 3&4 > Ambience > Outs 3&4 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[K]

96kHz

4, 4

#1012 Dly>Phsr_Ambience

Ins1&2>Vint DuckDlys> Phaser>Outs1&2 Stereo I/O Ins3&4 or Phaser > Ambience > Outs 5&6 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#1013 Dly>Phsr_MPitch

Ins1&2>Vint DuckDlys> Phaser>Outs1&2 Stereo I/O Ins3&4> Micropitch > Outs3&4 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#1014 DShif_Hall

Ins 1+2 >4v Diatonic Shift >Outs 1&2 Sum I/Stereo O Ins 3&4 > Vocal Hall > Outs 3&4 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}

[G]

96kHz

4, 4

#1015 Dtune_Hall

Ins 1+2 > Detuner > Outs 1 & 2 Sum I/Stereo O Ins 3&4 > Vocal Hall > Outs 3&4 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}{R}

[G]

96kHz

4, 4

#1016 Dtune_VinDly

Ins 1+2 > Detuner > Outs 1 & 2 Sum I/Stereo O Ins 3&4 > Vintage St Delays>Outs 3&4 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{P}

[G]

96kHz

4, 4

#1017 DynoMyPiano_Ambienceheadm

Songbird/DyTronics Dyno My Piano Tri Stereo Chorus 1380 S replica in parallel to Ambience verb. Ins1+2 > TriStChorus >Outs 1 &2 Sum I/Stereo O. Ins3&4 >Ambience>Outs3&4 Stereo I/O. Very popular chorus unit in early 80s. The 3 L/C/R lfo faders control progressive waveshaping of the modulation. pullouts: here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[K]

48kHz

4, 4

#1018 DynoMyPiano_VintDlysheadm

Songbird/DyTronics Dyno My Piano Tri Stereo Chorus 1380 S replica in parallel or series to Vintage Delays. Ins1+2 > TriStChorus >Outs 1 &2 Sum I/Stereo O. Ins3&4 or Chorus out >VintDlys>Outs3&4 Stereo I/O. Very popular chorus unit in early 80s. The 3 L/C/R lfo faders control progressive waveshaping of the modulation. pullouts: here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[K]

96kHz

4, 4

#1019 FltDlys_Rich Chamber

Ins 1&2 > Filtered Dlys > Outs 1&2 Stereo I/O Ins 3&4 > Rich Chamber > Outs 3&4 Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{F}

[G]

96kHz

4, 4

#1020 Hall_Dual 2Tap Dly

Ins 1&2 > Wide Hall > Outs 1&2 Stereo I/O Ins 3&4 > Dual 2 tap dly> Outs 3&4 Each input feeds a diffusor (master) which feeds 2 parallel moddlys w/filters and another diffusor in theirfdback paths. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high fback settings! Vintage sound for the connoisseur. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#1021 Modulation Suite

Songbird/DyTronics Dyno My Piano Tri Stereo Chorus 1380 S and TC1210 Stereo Chorus replicas in parallel. Ins1+2 > TriStChorus >Outs 1 &2 Sum I/Stereo O. Ins3&4>TC1210>Outs3&4 Stereo I/O. The Dyno was a very popular chorus unitin early 80s. The 3 L/C/R lfo faders control progressive waveshaping of the modulation. pullouts: here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging. The 1210 Stereo Chorus/Flanger features 2 full stereo units in parallel, one tweaked for chorus, the other for flanger.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[K]

96kHz

4, 4

#1022 Piano & Vocal Halls

Ins 1&2 > Piano Hall > Outs 1&2 Stereo I/O Ins 3&4 > Vocal Hall > Outs 3&4 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G]

96kHz

4, 4

#1023 Snare Plate&Inverse

Ins 1&2 > Snare Plate > Outs 1&2 Syetero I/O Ins 3&4 > Inverse Snare > Outs 3&4 Sim I/Stereo O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#1024 Vox Pro_VintDly

Ins 1&2 >compr>eq>micropitch//verb>outs1&2. Sum I/Stereo O. Don’t mix dry in. Use dry level as post compressor and eq level. Ins 3&4 > vintage st delay > outs 3&4. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

48kHz

4, 4