11 - Dynamics

Fine tuned compressors, expanders, tremolos, noisegates, amplitude followers, mastering quality multiband compressors, 5.1 compressors… all here in this bank.

#1110 Amplitude Follower

Modulates the amplitude of one stereo signal with another stereo signal. The result is much like a triggered gate, except that the level of the modulated signal is ALWAYS proportional to the level of the modulator. Dual stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 2

#1111 Auto V/O Ducker

Smoothly fades music (or sfx) before voice or other ‘priority’ signal. No pumping, unaffected by input level over threshold. Includes one-second delay. Switchable in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G][P][K]

96kHz

2, 2

#1112 Bigger Is Wider

Energy below 200 Hz (bass notes and male voices) triggers stereo width enhancement. Completely compatible: mono listeners hear original signal. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}

[B][V]

96kHz

2, 2

#1113 Fm Trem

Fm version tremolo. Sens is fm sensitivity, triggered by a sum of input 1&2. Polarity selects trem direction. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#1114 Eight Compressors

Octal/8 mono compressors. master params override all 8 compressors. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{C}{U}

[G]

96kHz

8, 8

#1115 Eight Noisegates

Octal/8 mono gates. Select the sidechain/trigger inputs at master menu. master params override all eight gates. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[D][K]

96kHz

8, 8

#1116 Omnipressor (R)

This ‘vintage’ emulation comes directly from the source. Richard would be happy to share with you his foray into ‘Vsig’, our graphics editing package. His journey ‘The Anatomy of a Preset’, as well as Vsig itself, may be down loaded from our web site at eventide.com. Mono in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}{C}{Y}

[G][P]

96kHz

2, 2

#1117 Perfect Trem

Retrigger-able fm tremolo. Audio can retrigger the LFO so downbeats can set angle of waveform. Audio can also modulate the LFO to allow a faster or slower rate during decay. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#1118 PsychicDuck DSP A

Fades down the ‘sub’ signal smoothly before the ‘main’ signal starts. For automated mixdowns and paging systems. NOTE: Runs in DSP A only! Switchable in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}

[K]

96kHz

4, 2

#1119 Eight Expanders

Octal/8 mono expanders. master params control all channels simultaneously. Individual channel controls override masters. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

8, 8

#1120 Octal Trem

Simple tremolo effect. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

8, 8

#1121 Ramp Up/Down 8

This preset gives you the ability to create audio fades in & out, either exponentially, linearly, or define yourown envelope. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

8, 8

#1122 SemiClassic Squeeze

A classic compressor topology is used in this algorithm. Has a knee and considerable overshoot. You can overload a little without harsh clipping. Dual mono in, dual mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{C}

~

96kHz

2, 2

#1123 Top 40 Compressor

A classic compressor topology is used in this algorithm. You can overload a little without harsh clipping. Dual mono in, dual mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{C}{Y}

~

96kHz

2, 2

#1124 Tremolo Lux

Tremolo with some envelope modulation. Has rate and tremolo depth. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#1125 Comp(3bandFIR)_S

Through the use of FIR filters this multiband compressor keeps phase coherent. Master params M_ offset allbands as seen in graph. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{C}{U}

~

96kHz

2, 2

#1126 Comp(3bandFIR) Quad

Through the use of FIR filters this multiband compressor keeps phase coherent. Master params M_ offset all bands as seen in graph. Quad I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{C}{U}

~

96kHz

4, 4

#1127 Comp(4bandFIR)_S

Through the use of FIR filters this multiband compressor keeps phase coherent. Master params M_ offset allbands as seen in graph. Note that crossover frequencies are bound to each other. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{C}{U}

~

96kHz

2, 2

#1128 Comp(5bandFIR)_M

Through the use of FIR filters this multiband compressor keeps phase coherent. This one fixed at 2 oct bands. Summed in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{C}{U}

~

96kHz

2, 2