14 - Filters

This bank offers a collection of static and modulated filters: was, formant “mouth-a-lators”, harmonic enhancers, sample & hold filters, sweeps and synth-style filters, bandpass and crossovers. We have included many of our favorite effects here.

#1410 ‘AllWays’PanFltr

Eight filters modulated such that at any time 4 are going ‘up’ and 4 are going ‘down’. The effect takes a few seconds to kick in. Mono in, dual stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#1411 Cup Mute

Simulates the sound of a trumpet-like bell with a cup mute. A generalized mod input is accepted to modulate the input on the fly. Hit parameter to get second page of parameters. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#1412 Dual Modfilters

Dual envelope filters/wa/auto wa pedals. masters override individual channels. Env normally=lowpass, Wa normally=bandpass. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#1413 EZ Leslie

Leslie simulator with simple controls. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#1414 Filter Bank Pan

Divides signal into octaves and allows you to pan each octave separately. Provides very nice ‘space’ without being too obvious. Decrease input gain to avoid distortion. Use output gain to compensate. If you ‘remote’ any of the pan positions, use Lag to ensure quick modulation does not cause distortion. 1 in (1=3, 2=4). Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#1415 Eight Filters

Eight filters. master params override individual channels. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

8, 8

#1416 Four Filters

Four filters. master params override individual channels. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#1417 Harmonic Enhance

Brightens up signals when missing high end. Adds even harmonics above ‘Tune’ frequency. Tap the Tune button to hear just enhancement. Dual mono in, dual mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#1418 Mouth-a-lator Two

Enhanced and optimized version of this classic Eventide preset. Select LFO or pedal as modulation source to feed this vocal wa effect. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#1419 OctaveBandFilterPan

Divides signal into octaves and pans each octave separately. Decrease input gain to avoid distortion, then use output gain to compensate. Set Mode to Phase Inverse for a more 3-dimensional effect. Mono in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}

[G][P]

96kHz

2, 4

#1420 OrganicAnimation

Peak detection slightly modulates a bandpass filter to make vocals sound closer and more up front. sens adds gain to the detection circuit, adjust as needed. Mix in only enough to feel the effect when removed. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{M}

[P][B]

96kHz

2, 2

#1421 Perpetual Motion

Many filter lines are modulated such that you always hear rising or falling resonance. Because of the mechanisms involved, the program distorts upon loading (sorry!). Summed in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{M}

[G][B][K]

96kHz

2, 4

#1422 Sample/hold

Four sample and hold filters. Masters override independent channels. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{P}

[G][K]

96kHz

4, 4

#1423 Sample/hold8

Eight sample and hold filters. Masters override independent channels. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{P}

[G][K]

96kHz

8, 8

#1424 Sequence Wa

Input is summed to mono, then routed sEQuentially to eight bandpass filters. Use rate to control speed of sequence. Note that rate is rate of one entire sequence of eight. Use ypan controls for quad effects. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}

[B]

96kHz

2, 4

#1425 Simple Samp/Hold

Simple stereo Samp/Hold filter. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{P}

[G][B]

96kHz

2, 2

#1426 Sweep Filter

Simple stereo ‘wa’ filter. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}

[G][B][K]

96kHz

2, 2

#1427 Synthlike Filter

This is a resonant filter much like the ones found on analog synths. CUT & Q PAGE: The cutoff frequency of the filter can be adjusted as well as the resonance or Q. LFO PAGE: This page contains a knob to adjust the level of the LFO signal and a knob to adjust the frequency of the wave. The 2nd page is used to adjust the waveform type and duty cycle. ENVELOPE PAGE: This is a simple decay envelope tied to freq. cutoff. Threshold sets the input level at which it begins to decay, Decay sets the length of the decay and Level sets the amplitude of the env signal. FLT&GAIN PAGE: Enables a choice between lowpass or highpass mode, the order of the filter and control over the I/O gain. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}

[K]

96kHz

2, 2

#1428 Tight Bandpass Mod

A very tight bandpass modulated by an LFO. Taps controls timbre. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[B][K]

96kHz

2, 4

#1429 Two Band Crossover

Two-band crossover Stereo in, stereo hi and low bands out. Stereo in, dual stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[G][B][U]

96kHz

2, 4