20 - Inst - Polyfuzz

Multiband distortion manipulation yields such intriguing results that you really need to spend some time on this path. Aside from sounding good by themselves, the results one gets by combining these presets with auxiliary equipment can’t be stressed enough. As with all harmonic manipulations, your ears alone can lead you. The combination of playing style, source material, direct vs. post-preamp, headphones vs. monitors or guitar cabinets, etc. all play a major role in the perception of these sounds. Chordal work sounds incredibly differently here, thanks to separated bands of distortion and multi-channel panning enhancements. Volume Pedal is patched to Assign 1 as a default.

#2010 DesertVoices

Combination of ‘GobiGuitar’ and ‘ChoralWindVerb’. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}{R}{S}

[S]

96kHz

2, 2

#2011 Eurhetemec

E-z polyfuzz>verb. Assign1 is volume pedal. . Verbs output selectable. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}{H}

[G]

96kHz

2, 4

#2012 EZPolyfuzzBandelay

Ez version of ‘PolyfuzzBandelay.’ Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{P}{M}{F}{Y}{R}

[G]

96kHz

2, 2

#2013 GobiGuitar

Polydriver>diffussion>delay. Delay lets you choose output path. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#2014 Horrormonics

Great for harmonics. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#2015 Hyperstrings

Ez polyfuzz with diffusors set to ‘imply’ a bowed attack. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#2016 Polyonyx

comp>polyfuzz>delays. With several ganged parameters this one gives a lot of flexibility while still being (relatively) easy to handle. Gates on the fuzz as well as on the delays allow lots of enveloping possibilities. Quad out lets you really fill the space. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{Z}

[G][B]

96kHz

2, 4

#2017 PolyReverse

Polyfuzz>reverse shift>verb. Output switching on verb . Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#2018 PolyRingPre

Compression, PolyFuzz and ringmods. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#2019 QuadPolyfuzz

Polyfuzz with gates for each band. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#2020 SlidingOnRazors

Wammy, Wa, PolyFuzz, detuners and Verb. Pre and effects out 1/2, verb out 3/4. Stereo in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#2021 Surgery

A four band (poly) process with: filt/ comp/ fuzz/ filt/ volped/ gate/ delay/ mixer. Allows precise tonal coloration for each band. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#2022 WaPolyReverse

Polyfuzz(with wa)>reverse shift>verb. Output switching on verb . Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4