32 - Parallel Effects

This is a bank of power! The algorithms here contain 3 or 4 stereo processors, mostly run in parallel, substituting for a full rack of modern or vintage units. Taking advantage of the great number of inputs and outputs of the H9000, you will be able to process many sources through these “virtual machines,” covering a great range of the most widely used effects.

#3210 4CompEq_2VintDuckDlyEmpty

In1 > Comp1 > 3B Eq1 > Out1 In2 > Comp2 > 3B Eq2 > Out2 In3 > Comp3 > 3B Eq3 > Out3 In4 > Comp4 > 3B Eq4 > Out4 All mono I/O Ins5&6>Vintage St DuckDly1>Outs5&6 Ins7&8>Vintage St DuckDly2>Outs7&8 Inputs to each stereo delay is selectable among each of the 4 CompEqs or the inputs 5&6 or 7&8. Sum mono or stereo I/Stereo O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{C}{S}

[G][R]

48kHz

8, 8

#3211 Acoustic Gtr Mondo

Ins1+2 > Shift>Compr>Verb > Outs1&2 Sum In/Stereo Out Ins3&4 or Dry+Shift(1+2)>Chorus>Outs3&4 Stereo I/O Ins5+6 or Verb(1+2)>Undulator>Outs5&6 Stereo I/O. Great w/acoustic guitars!

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[G]

48kHz

6, 6

#3212 Delays Suite

Ins 1&2 > Band Dlys4 > Outs 1&2 Stereo I/O Ins 3&4 > Filtered Dlys > Outs 3&4 Stereo I/O Ins 5&6 > Vintage Duck Dlys > Outs 5&6 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G][B]

96kHz

6, 6

#3213 DShif_VDly_Hall

Ins 1+2 >2v Diatonic Shift > Outs 1 & 2Sum I/Stereo O Ins 3&4 > Vintage St Delays>Outs 3&4 Stereo I/O Ins 5&6 > Vocal Hall > Outs 5&6 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}

[G][B]

48kHz

6, 6

#3214 Dtune_VDly_Hall_EQ

Ins 1+2 > Detuner > Outs 1 & 2 Sum I/Stereo O Ins 3&4 > Vintage St Delays>Outs 3&4 Stereo I/O Ins 5&6 > Vocal Hall > Outs 5&6 Stereo I/O Ins 7&8 > St 3 band Eq > Outs 7&8 Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

48kHz

8, 8

#3215 Mpitch_Pcm70_PanDly

Ins 1&2>H3000 Micropitch > Outs 1&2 Stereo I/O Ins 3+4> Pcm70 Hall > Outs 3&4 Sum I/Stereo O Ins 5&6 or pitch out> pan DDL>Outs 5&6 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{F}

[G]

48kHz

6, 6

#3216 Plate_Inv_VintDly_Ch

Ins1&2>e/r>diff>drum plate verb>outs1&2 Stereo I/O Ins3+4 > inverse verb > outs 3&4 Sum I/stereo out Ins5+6 > vintage stereo delay >outs 5&6 Stereo I/O Ins7&8 > stereo chorus > outs 7&8 Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[G]

48kHz

8, 8

#3217 Q Delays_Ambience

Ins 1/2/3/4 > Quad Dlys > Outs 1/2/3/4 Each input feeds a diffusor (master) which feeds a moddly w/filters and another diffusor in its fdback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high fback settings! Quad I/O Ins 5 & 6 > Ambience > Outs 5 & 6 Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[G]

96kHz

6, 6

#3218 Virtual Rack 1

Ins 1+2 >H3000 dual Shift > Outs 1 & 2 Summed I/Stereo O Ins 3+4>2290 TT dyndly+pan+duck>Outs3&4 Summed I/Stereo O Ins 5+6>1210 st chrs/flanger > Outs 5&6 Summed I/Stereo O Ins 7+8> PCM70 Hall > Outs 7 & 8 Summed I/Stereo O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[H]

48kHz

8, 8

#3219 Virtual Rack 2

Ins 1+2 >H3000 dual Shift > Outs 1 & 2 Summed I/Stereo O Ins 3+4>2290 TT dyndly+pan+duck>Outs3&4 Summed I/Stereo O Ins 5+6>1210 st chrs/flanger > Outs 5&6 Summed I/Stereo O Ins 7+8> PCM70 Hall > Outs 7 & 8 Summed I/Stereo O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#3220 Virtual Rack 3

Ins 1+2 >H3000 dual Shift > Outs 1 & 2 Summed I/Stereo O Ins 3+4>2290 TT dyndly+pan+duck>Outs3&4 Summed I/Stereo O Ins 5+6>1210 st chrs/flanger > Outs 5&6 Summed I/Stereo O Ins 7+8> PCM70 Hall > Outs 7 & 8 Summed I/Stereo O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#3221 VoxPro_Vdly_Chorus

In1>compr>eq>micropitch/verb>outs 1&2. Mono I/Stereo O. Don’t mix dry in. Use dry level as post compressor & eq level. Ins 3&4 > vintage st delay > outs 3&4. Stereo I/O. Ins 5&6 > stereo chorus > outs 5&6. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{F}

[G]

96kHz

6, 6

#3222 Compr>3band Eq 8ch

8 channels Compr>3band Eq. 8ch I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}{C}{F}

[B]

96kHz

8, 8

#3223 CrWrlds2+SPlt+AMSDMX

Crystal Worlds 2 + Stereo Plate + AMS DMX 1580S presets merged, respectively on I/Os 1+2, 3+4 & 5+6.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{Z}

[D][B]

48kHz

6, 6

#3230 Angel Echos+St.Plate

Angelic echos with chorus and reverb on I/Os 1+2. Delay parallel to pitch>verb. Stereo in, stereo out.

Dense, midrangy stereo plate on I/Os 3+4. A little like most plates but different. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}{P}

[G][B]

48kHz

4, 4

#3231 Bandtaps+CrsSpOBrian

Series delays with filters on I/OS 1+2. Summed in, stereo out.

Huge plexverb into chorus delays on I/Os 3+4. Good for slow attack sounds. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{F}

[G][K]

96kHz

4, 4

#3232 BrassPlt+1210Chorus

On I/Os 1+2 Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out. On I/Os 3+4 1210 Stereo Chorus/Flanger replicant. 2 full stereo units in parallel, one tweaked for chorus, the other for flanger. Stereo in/Stereo out.

1210 Stereo Chorus/Flanger replicant. 2 full stereo units in parallel, one tweaked for chorus, the other for flanger. Stereo in/Stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}{S}

[G]

96kHz

4, 4

#3233 ClrmntnDlys+EMTplate

More than your usual echoes. Has subtle filtering and shifting, on I/Os 1+2. Summed in, stereo out.

Warm emulation of a EMT style plate with childproof controls on I/Os 3+4. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}{S}

[G]

96kHz

4, 4

#3234 CrWrlds2+AMSDMX1580S

Crystal Worlds 2 on I/Os 1+2. Summed inputs/stereo output.

AMS emulation on I/Os 3+4. Switchable in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[G]

96kHz

4, 4

#3235 MattFatRoom+VintDlysheadm

Matt’s Fat Room on I/Os 1+2. Switchable mono/stereo in, stereo out. Vintage Dlys on I/Os 3+4. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{R}

[G]

96kHz

4, 4

#3236 MicroPitch+Room#24

Micropitch shifting for thickening effects on I/Os 1+2. Stereo I/O. Room #24 on I/0s 3+4. Stereo I/O. With 24 delays this is a lush environment.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{F}

[F]

96kHz

4, 4

#3237 TapdlyPlex+BlackHole

t_delay 4 plex on I/Os 1+2. Summed in, stereo out.

An abnormally large reverb, sucking everything into a bottomless chamber on I/Os 3+4. Try setting the diffuser to 68 and the size to 91 for a reverse hole. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

4, 4