34 - Percussion

A large variety of now-classic-Eventide delays and reverbs set up for percussion. These include rooms and ambience processes, as well as some unusual effects that will usefully color and alter your source material. Among these are a number of “gated” reverbs and “non linear” effects, where the reverb reflections get louder as they decay.

#3410 808 Rumble Tone

Adds sub-harmonics to a kick drum. An oscillator is gated until triggered. Summed in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[P][K]

96kHz

2, 2

#3411 Beatbox Reverb

A one of a kind talking reverb with adjustable vowels and words. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}{O}{R}

[G][V]

96kHz

2, 2

#3412 Drum Chamber

A really bitey snare ambience with EQ. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}{O}

[G][P]

96kHz

2, 2

#3413 Drum Filter

Dual stereo triggered filters. Has sweep rate and envelope parameters. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}

[G][P][K]

96kHz

2, 2

#3414 Drum Flanger

Another flanger tweaked for drums. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G][P][K]

96kHz

2, 2

#3415 Drum Flutters

Unusual fluttery, gated-sounding thing. Sampled industrial dishwasher? Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[G][P][K]

96kHz

2, 2

#3416 Firecracker Snare

A versatile reverb with gate & dynamic filter built in. The filter is controlled by an envelope follower, unlike Dynamic Reverb whose filter is controlled by a less dynamic gate envelope. TURN MONITOR VOLUME DOWN WHILE ADJUSTING FILTER since instabilities & overload may occur with low q’s and wide sweepwidths. Try adjusting sweep-width to a negative number! You can disable gate by turning thresh to -100 or ungated lvl to 100%%. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}{K}

[F][Y][R]

96kHz

2, 2

#3417 Group Claps

A useful clap thickener built from 8 pitch shifters with delays.1~4 from left and 5~8 from right input. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{P}

[G][K]

96kHz

2, 2

#3418 Liquid Toms

Watery band delays.Tweaked for toms. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{P}

[G][K]

96kHz

2, 2

#3419 Nerve Drums

Ringy, close delay taps. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[K]

96kHz

2, 2

#3420 NoizSnareBrightener

This effect is very useful for brightening up dull snare drums. White noise is effectively gated by DSP input 1. Attack and Decay control the response time. Use the EQ to modify the sound of the noise. Summed in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}

[P]

96kHz

2, 2

#3421 Nonlinear#1

A little non-linear ambience. Has gated effect, nice on snare. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}

[P]

96kHz

2, 2

#3422 PercussBoingverb

Bizarre boingy verb. Need a new color for that off-color song? Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{O}

[G][P][K]

96kHz

2, 2

#3423 Ring Snareverb

Very pitchy reverb. Emphasizes ring frequencies. Maybe use in conjunction with other snare reverb. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#3424 Small Drumspace

Nice ambience reminiscent of long unfinished basement room. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[K]

96kHz

2, 2

#3425 Sonar Room

A dynamic reverb with headroom, gate & envelope filter built in. The dynamic envelope filter offers possibilities found in no other reverb units. Try adjusting sweepwidth to a negative number! You can effectively disable gate by turning thresh to -100 and holdtime to 9 seconds. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#3426 Stereo Delays

A stereo multitap, simple to control. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#3427 Swept Band Delay

Rhythmic up-sweeping band delays. Very high tech. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{H}

[G]

96kHz

2, 2

#3428 Techno Clank

Shaky metallic resonance, with vowel-shaping. This can be truly undefinable. Kind of like… you know… the ..sound…of..a dropped coffee pot triggered. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{O}

[G][H][B][K]

96kHz

2, 2

#3429 The Ambience Kit

Cute little FIR-type ambience. Try on snare. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#3430 Tight Snare Verb

Very ringy reverb, meant for snares. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{S}

[G]

96kHz

2, 2

#3431 Vibra Pan

This uses panning delays from left to right, to form an FIR panning ambience. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{S}

[G]

96kHz

2, 2

#3432 WeKnowBeetBoxTrtMe

This is something between a choir and a washing machine. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{S}

[S]

96kHz

2, 2

#3433 Wide Room

Complex reverb that sounds much the size of some recording studio rooms. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[S]

96kHz

2, 2

#3434 4 Your Toms Only

Tom ambience with a little verb, a little chorus, a little EQ, a little anchovy sauce. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2