39 - Re-mix Tools

This bank features a collection of tools for re-mix and DJ applications: BPM or MIDI clock synched delays, sample & hold panning filters, tremolos, choruses and flangers, phasers and modulateable filters.

#3910 Drums-o-Tronica

A plex verb with modfilters embedded in its structure. This very flexible structure is tweaked here as a polyrhythms drums mangler. Feed an 85 BPM drum loop in to get the feel of it. Choose TT switch in the system menu. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#3911 Electronix

Modfilter>pingpong. Deep modulating filter sweeps between freq and fmod with a 2nd lfo ramping the depth to get this synth like filter effect. Control as rhythmic values as well as Hz/ms. Rear channels get a secondary slap delay 1/10th value of ‘pong’. Stereo in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#3912 GrooveSync Delay

Cascade mode takes the output of the left delay (including feedback) and feeds the input of the right delay. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#3913 Plex-o-tronica

Plex verb with modfilters embedded in its structure. A very flexible structure tweaked here as an interesting rhythmic TT delay evolving into distant verb. Choose TT switch in the system menu. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#3914 Pulsewave

Four channel tremolo with independent params. polarity selects direction of trem. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#3915 Swing Pong Delay

Ping pong delay with swing factor. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#3916 Techno Rave

Bpm sample/hold and trem into dual ‘pingringpongs’. Ring freqs are half that of s/h and trem, are pos & neg and are chosen via s/h and trem values. Switchable in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#3917 TrigLFO Filter Bank

Input on channel 3 triggers the 4 LFOs to jump to a specific point in their waveforms. ‘Thresh’ adjusts the threshold for triggering. ‘TPhase’ specifies where in the waveform it will start. ‘Wave’ and ‘Duty’ select the waveform. One cycle is equal to the ‘Note’ value for the given ‘BPM’. Four filters are modulated. DSPin1-> Fltr1&3, DSPin2-> Fltr2&4. Select the base frequency for each filter and how much it is modded. Stereo in, quad out.

This IS a complex program. But if you want to sync funky filters to music, this is IT!

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

3, 4

#3918 TrigLFO Flanger

A stereo flanger with feedback. Input on DSP 3 triggers the LFO to jump to a specific point in its waveform. ‘Thresh’ adjusts the threshold for triggering. ‘TPhase’ specifies where in the waveform it will start. ‘Wave’ and ‘Duty’ select the waveform. One cycle is equal to the ‘Note’ value for the given ‘BPM’. Great for syncing FX to a song. Interesting results if the note value for your trigger does not coincide with the ‘Note’ parameter. The time you spend figuring out this triggered LFO will be well worth it. Look for other ‘TrigLFO’ FX for the same mechanism. Stereo in, stereo out.

When the LFO jumps to a new value, the delay jumps too. To avoid dist, adjust this slew. It ‘softens’ the jumps.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 2

#3919 TrigLFO Pan, Trem

A synchable panner, trem, or circle. DSPin1 is modified between DSPouts1&2 and DSPin2 is modified between DSPouts3&4. To use as a ‘stereo’ panner, trem, or circle, use DSPouts1&4. Input on DSP 3 triggers the LFO to jump to a specific point in its waveform. ‘Thresh’ adjusts the threshold for triggering. ‘TPhase’ specifies where in the waveform it will start. ‘Wave’ and ‘Duty’ select the waveform. One cycle is equal to the ‘Note’ value for the given ‘BPM’. Great for syncing FX to a song. Interesting results if the note value for your trigger does not coincide with the ‘Note’ parameter. The time you spend figuring out this triggered LFO will be well worth it. Look for other ‘TrigLFO’ FX for the same mechanism. Stereo in, quad out.

When the LFO jumps to a new value, the ampmod jumps too. To avoid dist, adjust this slew. It ‘softens’ the jumps.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#3920 TrigLFO St ModFilterEmpty

A stereo ‘mod’ filter. Input on DSP 3 triggers the LFO to jump to a specific point in its waveform. ‘Thresh’ adjusts the threshold for triggering. ‘TPhase’ specifies where in the waveform it will start. ‘Wave’ and ‘Duty’ select the waveform. One cycle is equal to the ‘Note’ value for the given ‘BPM’. Great for synching FX to a song. Interesting results if the note value for your trigger does not coincide with the ‘Note’ parameter. The time you spend figuring out this triggered LFO will be well worth it. Look for other ‘TrigLFO’ FX for the same mechanism. Stereo in, stereo out.

When the LFO jumps to a new value, the filter jumps too. To avoid dist, adjust this slew. It ‘softens’ the jumps.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 2

#3921 TrigLFO St Phaser

A stereo phaser with feedback. Input on DSP 3 triggers the LFO to jump to a specific point in its waveform. ‘Thresh’ adjusts the threshold for triggering. ‘TPhase’ specifies where in the waveform it will start. ‘Wave’ and ‘Duty’ select the waveform. One cycle is equal to the ‘Note’ value for the given ‘BPM’. Great for synching FX to a song. Interesting results if the note value for your trigger does not coincide with the ‘Note’ parameter. The time you spend figuring out this triggered LFO will be well worth it. Look for other ‘TrigLFO’ FX for the same mechanism. Dual mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 2

#3930 5.1 Freeze 2 Beats

Remix tool! Tap tempo or set bpm value or sync to midi clock, choose note values and trap the beat w/front panel trigger or external trigger. You can sample 2 polyrhythm variations, switching back & forth between each one & thes traight beat. Big fun with drums loops. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#3931 5.1 Freeze the Beat

Remix tool! Tap tempo or set bpm value or sync to midi clock, choose note values and trap the beat w/front panel trigger or external trigger. You can sample a polyrhythm variation, switching back & forth between it & the straight beat. Big fun with drums loops!!! Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#3932 Freeze 2 Beats

Remix tool! Tap tempo or set bpm value or sync to midi clock, choose note values and trap the beat w/front panel trigger or external trigger. You can preset 2 different polyrhythms, switching back & forth between them & the straight beat. Big fun with drums loops!!! Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#3933 Freeze the Beat

Remix tool! Tap tempo or set bpm value or sync to midi clock, choose note values and trap the beat w/front panel trigger or external trigger. You can sample a polyrhythm variation, switching back & forth between it & the straight beat. Big fun with drums loops!!! Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#3934 2_5.1 PlexFltrTaps

8 open output matrixed filtered dlys blend their tonal and rhythmic qualities in a plex. Choose which delay feeds which output for different panoramic and rhythmic FX. Sum I/5.1 O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 6