41 - Reverbs – 5.1

Full blown 5.1 I/O surround reverbs. Many spaces are reproduced here, including reverbs crafted for specific sources like piano, vocals, brass, drums. A clever set of few master parameters helps setting different spaces, by remoting a bigger number of parameters you can freely preset. You can turn any of these effects into 6 different personally crafted reverbs or variations of the original type.

Introduction to 5.1 Reverbs

These structures introduce surround ambience to the line of Eventide effects processors. A description of the algorithms and their parameters functions is your first step to learning the basic of these powerful tools. We have provided slightly different versions of some of these algorithms to give the best results both at 48 and 96KHz sampling frequencies. Stereo or Surround ambience and reverbs in digital processors are generally to be considered a combination of two main processes:

  • Early Reflection delays and diffusers

  • Reverberation

Early Reflections are very short delays that simulate the reflections of walls, floor and ceiling of a specific environment. Often they are matched to filters to recreate the tonal qualities of the different materials of which these surfaces are made.

Diffusers are even shorter delay networks that create a dense field of repeats. This cluster of small delays simulates the buildup in density of the first echoes. A high setting of Diffusion will result in dense buildup, with smeared delays. A lower setting will provide more distinct delays. Diffusion directly controls all the Diffuser internal delay feedbacks. This parameter is affected by the diffuser’s Size parameter, which scales up or down all its internal delays times.

A low Size and high Diffusion setting will provide nice small environments with dense diffusion, while the inverse scenario would better simulate huge spaces. A good starting point in creating your spaces is to first adjust Size and Diffusion as they will define the space more strongly than the other parameters. Early Reflections then define the position and reflective qualities of the space and will shape it. Tweaking the hicut filters will provide a further nice touch to your work. Last, adjust your reverb decay and filters, in search of the next great verb!

We have created 2 different I/O structures:

  • 2_5.1 Diffusers or Reverbs

  • 5.1 Diffusers or Reverbs

Version 2_5.1 creates a surround ambience from a stereo (2 inputs) audio source, while the 5.1 version is a full blown 6 inputs/outputs structure.

Here are important details you should know:

Routing: The correct routing of the inputs and outputs channels is very important when working with these presets. When using a 5.1 I/O structure, please always refer to the following input and output assignments:

I/O 5.1 standard configuration

Input 1 > Front LEFT Channel

Input 2 > Front RIGHT Channel

Input 3 > Front CENTER Channel

Input 4 > LFE (sub) Channel

Input 5 > Surround (rear) LEFT Channel

Input 6 > Surround (rear) RIGHT Channel

Be sure that your H9000’s I/O is configured in this way.

Input Trim: A channel dedicated input level, this Trim helps take control on very hot incoming signals. Use the H9000 meter LEDs to monitor audio and use these trimmers accordingly.

Phantom Speaker: Available in the full 5.1 I/O algorithms only, this switch enables the traditional stereo “phantom speaker” by removing the center channel from the center speaker, redirecting it to the front left and right speakers. When set to OFF, you will listen to a full 5.1 mix; if set to ON, the resulting 4.1 is what you’ll get, with stereo placement of the center channel audio source in the front left and right speakers.

Gain: This is a very useful level gain, placed at the end of the algorithm. Use it to push the output level or to recover level loss caused by necessary severe input trim or by low level input. Up to 12dB is provided here.

Control Switches: Each channel has an output switch. Here you can set it ON or OFF, for convenient testing and monitoring tasks.

Size: This is a very important parameter. It controls a great numbers of other parameters! Its main function is to scale Diffuser’s delay times, which are always hidden to the user. We have set and tweaked their values to what we consider generally useful values. If you want to into deeper programming, you can edit these values using VSig.

Size controls: - Early Reflections Delays - Early Reflections Hicuts - Diffusion - Scaler - Post Diffusion Early Reflections Delays - Post Diffusion Early Reflections Delays Hicuts

Basically, by selecting different Size values (Booth – Small Room – Med Room – Alley Slap – Stage – Reflections), you will also change all the above parameters, according to our programmers’ tweaks. We thought that the more expert or adventurous reader would want to enter their values for these Size controlled parameters and have made this possible.

You can type in your E/R Delays, Hicuts, Diffusion, Scaler and Post Diff delays and Hicuts values. Scrolling Size through its values will allow you to actually see all those parameter values, whether the factory defaults or your personal choices.

The advantage of this approach is to provide you with a well crafted and good sounding collection of presets as well the possibility to customize them. A mix of “closed and open” philosophies that can be taken further with the help of VSig. Do you need to use VSig? No, you don’t! There’s enough power, craft, tweaking and “embedded“ freedom to use or customize all these 5.1 reverbs to meet most needs.

Your Size knob will switch between six different spaces. It’s like having six presets in one. Imagine how easy it will be to remote changes within the same preset, by simply controlling the Size parameter with the H9000 rotary encoder or any hardware or MIDI controller!

Scaler: As already mentioned, the Diffusers’ internal delays are controlled by the Size control and are always hidden to the user; you don’t actually see them on the display. Nevertheless, sometimes your ear will suggest that you further adjust those internal delays … we know you are always searching for that “great” sound … EEScaler will help you “shrink or expand” those internal delays at your will. Since it’s also controlled by Size, you’ll be able to tweak and fine tune each preset to a surgical detail and store them. Once recalled, your custom presets will remember those six tweaks.

Other examples of this approach are Front and Surround Reverb Decays and Levels. The Front parameters controls the Surround ones, which are offset by factory default values. You can further adjust the Surround parameters yourself, changing their values from the ones controlled by their Front counterparts.

#4110 5.1 Cathedral

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[K]

96kHz

6, 6

#4111 5.1 Choir Hall

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{Z}

[S]

96kHz

6, 6

#4112 5.1 Concert Hall

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[H]

96kHz

6, 6

#4113 5.1 Drums Room

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

96kHz

6, 6

#4114 5.1 Jazz Club

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{Z}{S}

[B]

96kHz

6, 6

#4115 5.1 Lead Guitar

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{F}{Z}

[G]

96kHz

6, 6

#4116 5.1 Percussion Room

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{Z}{S}

[G]

96kHz

6, 6

#4117 5.1 Piano Hall

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{Z}{S}

[G]

48kHz

6, 6

#4118 5.1 Rich Chamber

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{Z}

[G]

48kHz

6, 6

#4119 5.1 Sax Hall

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

48kHz

6, 6

#4120 5.1 Snare Plate

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

48kHz

6, 6

#4121 5.1 Stadium

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

~

48kHz

6, 6

#4122 5.1 Theater Stage

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{Z}

[G]

48kHz

6, 6

#4123 5.1 Vox Plate

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R help defining the reverb space. Size pre-sets e/r & diff e/r patterns and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys and hicuts in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{Z}

[G]

48kHz

6, 6

#4124 5.1 EzDiffusor

5.1diffusion with simple controls. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{S}{M}{Z}{F}{R}

[G]

96kHz

6, 6

#4125 5.1 EzDiffChorus

5.1 modulatable diffusion with simple controls. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{Z}

[G]

48kHz

6, 6

#4126 5.1 EzModVerb

5.1 modulatable diffusion with simple controls. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

~

48kHz

6, 6

#4131 5.1 Choir Chamber

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Smaller than a hall, fine tuned for a group of singers.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

48kHz

6, 6

#4132 5.1 Classic Plate

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}{Z}

[G]

48kHz

6, 6

#4133 5.1 Concert Hall 96

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

48kHz

6, 6

#4134 5.1 Drums Booth

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{H}{S}

~

48kHz

6, 6

#4135 5.1 Drums Room

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

48kHz

6, 6

#4136 5.1 Gregorian ChurchEmpty

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}{S}

~

48kHz

6, 6

#4137 5.1 Metal Tunnel

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{H}

[G]

48kHz

6, 6

#4138 5.1 Sax Chamber

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{Z}

[G]

48kHz

6, 6

#4139 5.1 Snare Chamber

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{Z}{S}

[H]

48kHz

6, 6

#4140 5.1 Surr Slap Back

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{Z}{S}

[G]

48kHz

6, 6

#4141 5.1 Vox Bright PlateEmpty

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{Z}{S}

[G]

48kHz

6, 6

#4142 5.1 Vox Hall

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Diff E/R dlys help defining the reverb space. Size pre-sets e/r & diff e/r patterns. Scaler scales diff delays. You can change all e/r dlys values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

These 5 early reflec parallel to reverb. the feeling of dista

tions delays are Use them to give nce from side walls

These 5 e/r delays are post diffusers and sent to reverb. Size, Scaler & Diff change all e/r dlys in both e/r menupages. Use these diffused e/r dlys to set the reverb space.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{Z}

[G]

48kHz

6, 6

#4143 5.1 Dynamic Spread

Energy below 200 Hz (bass notes and male voices) triggers surround width ambience enhancement. Dsize and Diff can be adjusted to spread the rear channels more. LFE channel is not processed. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

96kHz

6, 6

#4150 5.1 Choir Chmbr E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

96kHz

6, 6

#4151 5.1 Concrete Lrg E/rEmpty

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{R}{Z}

[G]

96kHz

6, 6

#4152 5.1 Drums Booth E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{Z}{S}

[G]

96kHz

6, 6

#4153 5.1 Far Walls E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}{Z}

[G]

96kHz

6, 6

#4154 5.1 Hard Walls E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{H}{Z}

[G]

96kHz

6, 6

#4155 5.1 Lg Envirnmnt E/rEmpty

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{Z}

[G]

96kHz

6, 6

#4156 5.1 Md Envirnmnt E/rEmpty

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{Z}{S}

[G]

96kHz

6, 6

#4157 5.1 Piano Room E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#4158 5.1 Sax Stage E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#4159 5.1 Sm Envirnmnt E/rEmpty

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#4160 5.1 Stage E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#4161 5.1 Wood Walls E/r

Full I/O surround algorithm. E/r dlys attempt to recreate the reflections of walls, floor and ceiling. Size pre-sets e/r dlys patterns, diff delays and hicuts. Scaler scales diff delays. You can change all e/r dlys and hicuts values for each Size preset. It will remember your settings. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#4170 5.1 140 EMT Plate

A plate reverb with simple parameter layout. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#4171 5.1 Reverb Units

5 completely independent mono reverbs. Highly customizable reverbs are possible, offsetting parameters for each separate audio channel. This tweak has offset size and decay values only. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6