42 - Reverbs - H8000

This bank offers a set of classic reverb structures, enhanced by early reflection echoes with feedback paths and post reverb EQ. Ambience and a nice design interaction between the actual delays and reverb tail of any space are given great attention here, providing what we believe to be a powerful group of presets and a great tool to design your own. This group also includes some post-processed reverbs.

#4208 3B X-over Hall 96

A three band stereo crossover sends audio to three parallel verbs with low & high decay scaling ratios according to mid decay. These decay controls can also be fully independent. Pitch modulation parameters are separate for each verb. Output level for each band & hicut on master output available. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4209 4B x-over Hall

4 bands stereo x-over sends audio to 4 parallel verbs. Master decay and band ratios are available. These 4 decay controls can also be fully indipendent. Modulation parameters are separate for each verb. Output level for each band & hicut on master output available. Stereo In/Out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[S]

96kHz

2, 2

#4210 Ambience

Ambience reverb. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4211 Brass Plate

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

2, 2

#4212 Deep Space

Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Post low and high shelving eqs filter the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

2, 2

#4213 Drum Plate

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

2, 2

#4214 Drums Room

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4215 Gated Inverse Snare

Inverse gated reverb tweaked for snare drums. Use level to tame it. Sum input/Stereo output.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{R}

[B]

96kHz

2, 2

#4216 Gated Plate

Plate verb thru gate. Ungated verb level also available. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[G][P][B]

96kHz

2, 2

#4217 Hall > Bandpass

Post processed verb: stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Post low and high shelving eqs filter the verb/dlys > band pass filter with automatic & manual adjustable spread in octaves. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}{M}

[B]

96kHz

2, 2

#4218 Inverse Snare

Inverse reverb tweaked for snare drums. Use level to tame it. Sum input/Stereo output.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[K]

96kHz

2, 2

#4219 Inverse

Inverse reverb. Use level to tame it. Sum input/Stereo output.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#4220 Inverse > Bandpass

Post processed inverse reverb > band pass filter with automatic & manual adjustable spread in octaves. Use level to tame it. Sum input/Stereo output.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4221 Large Room

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4222 Living In The Past

Non linear (reverse) reverb with dry delay. You can delay the dry sound and anticipate its reversed reverb…for special fx. Panning, levels and reverse eq are available. Dry sound signal path is full stereo. Sum mono I/Stereo O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}{S}

[P]

96kHz

2, 2

#4223 Living Room

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{S}

[S]

96kHz

2, 2

#4224 L/C/R mics Room

Chamber Verb > 4 Band Delays. This preset simulates one near, and two far microphones in a medium sized room. Do not mix any dry signal. The near microphone is panned to the center. The two far microphones are panned full left and right. Stereo I/O.

Use m_delay to move the far mics closer or farther away

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

2, 2

#4225 Piano Hall

Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Post low and high shelving eqs filter the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4226 Plate > BandPass

Post processed verb: stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path > band pass filter with automatic & manual adjustable spread in octaves. Stereo in, stereo out.

Stereo bandpass filter. Set low frequency and octave spread. Hi frequency is calculated according to spread or it can be set manually. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#4227 Rich Chamber

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4228 Room > Bandpass

Post processed verb: stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processingpath > band pass filter with automatic & manual adjustable spread in octaves. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4229 Sax Chamber

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4230 Sax Plate

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4231 Slap Plate

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4232 Snare Plate

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{S}

[G]

96kHz

2, 2

#4233 Tiled Room

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[S]

96kHz

2, 2

#4234 Vocal Chamber

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[P]

96kHz

2, 2

#4235 Vocal Hall

Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Post low and high shelving eqs filter the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[P]

96kHz

2, 2

#4236 Vox Plate

Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

2, 2

#4237 Wide Hall

Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Post low and high shelving eqs filter the whole processing path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{S}

[H]

96kHz

2, 2

#4240 Hall_Peaking Fltr

Stereo diffusor > verb + 2 parallel delay lines (1sec) to simulate walls reflections. Peaking filter follows. Use Sync for pseudo panning. Use Character and Polarity for dramatic filter changes. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4241 Chamber>Glide Dlys

Stereo diffusor > verb + 2 reflections delays + 2 echo lines > gliding dlys. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. Glide dlys add verb post processing. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4242 Flanged EchoVerb

Flanged post delays and verb. The ’70s are back! Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#4243 Large Room2

Just in case you need a large room with some extended verb tail… Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#4244 Loneliness

Ambient Verb. In EQ > Diff > Verb. Eq shapes sound prior to entering diff/verb network. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[S]

96kHz

2, 2

#4245 Really Large Room

Really, really large room. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[S]

96kHz

2, 2

#4246 Reverb Suite

Highly specialized space simulator. the TYPE parameter selects thru 5 different reverbs. It remotes values changes for all parameters in the Verb menu and for levels in the Delay menu. You can create 5 different verbs and switch between them. Has pre & post 3 band EQ. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G][P][R][V]

96kHz

2, 2

#4247 Sharp Verb

Diffused and long predelay chamber verb with lots of high freq. for special FX. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#4248 Small Chamber

Small chamber reverb with a colored character. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G][K]

96kHz

2, 2

#4249 Strings Room

Great for your strings and choir tracks. Places them in the right space. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[G][R]

96kHz

2, 2

#4250 New Room

Stereo and X-channels diffusors into and around reverb. Stereo delays are post filters diffusors. Cross-diffusion makes ambience thicker and more realistic. Use diffusion and verb levels to balance the perception of walls and verb tail. Stereo I/O.

Diffusor output level in parallel to reverb. Useful for walls/ambience simul

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2