50 - Reverbs - Unusual

These presets show off some of the more creative and unusual possibilities in our modular architecture. With effects combined and/or embedded inside the reverbs themselves, new and exciting sounds are possible. This bank offers a range from the unusual to the absurd, giving a number of effects not found on any other signal processing platform, whether rack-mounted or computer based.

#5010 Adaptive Reverb

The delays of a reverb follow the pitch of your input. Make sure you have a good, strong input for the pitch detect. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G]

96kHz

2, 2

#5011 AlienShiftVerb

You won’t hear this anywhere else (except Klikton, the undiscovered planet in our solar system). It is a UFO taking off from a giant canyon. Might be a great effect to end a song with. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{S}

[K]

96kHz

2, 2

#5012 Black Hole

An abnormally large reverb, sucking everything into a bottomless chamber. Try setting the diffuser to 68 and the size to 91 for a reverse hole. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[R][K]

96kHz

2, 2

#5013 ChoralWindVerb

With complex input material, the preverb modulating diffusors can sound (esp at 100 %% wet) like voices. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{S}

[K]

96kHz

2, 2

#5014 ChoruspaceO’Brien

Huge plexverb into chorus delays. Good for slow attack sounds. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}{R}

[G][P][R][V]

96kHz

2, 2

#5015 Echospace Of God

Massively verbed echos that give you that awesound. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[K]

96kHz

2, 2

#5016 Flutter Booth

Try to find this sound elsewhere! A deeply fluttering ambience. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{S}

[G][B]

96kHz

2, 2

#5017 Gated Gong Verb

Input #1 is the envelope for the filter and the trigger for the gate. Input #2 gets verb’d. Dual mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{R}

[B]

96kHz

2, 2

#5018 Ghost Air

A deep backwards, breathing reverb. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G]

96kHz

2, 2

#5019 GloriousChrsCanyon

Friggin huge, canyon verb with adjustable EQ and chorus. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#5020 GloriousFlngCanyon

Huge canyons with flange on reverb. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}{R}

[K]

96kHz

2, 2

#5021 Horrors

Squeeking and squelching, this big cave reverb is aptly named. The program is actually a multi-effects patch with a pitch shifter going into a delay set, and finally a reverb. The overall effect is a really weird reverb. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{S}

[K]

96kHz

2, 2

#5022 Jurassic Space

It’s almost a delay, yet it’s thick like a reverb. Has EQ, too. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G]

96kHz

2, 2

#5023 Kickback

An early reflection type effect with a large, adjustable pre-delay. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[B]

96kHz

2, 2

#5024 Phantom & Reverb

Unusual sliding harmony mixed with input and thrown into an airy reverb. Try on moody vocals. Never sounds same twice. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{O}

[G]

96kHz

2, 2

#5025 PillowVerb

All this for a put reverb? Well, yeah, but at least it’s fairly flexible. CBM - 2002. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{O}

[K]

96kHz

2, 2

#5026 Pop Up

A multitude of soft delays that can be radically manipulated. Try going to expert and on the taps controls page, scroll to delays and hit select button (while listening). Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G]

96kHz

2, 2

#5027 Ramp Verb

A weird little reverse-reverb-like thing constructed from two multi-tap delays followed by a verb. Not much good on percussion. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[K]

96kHz

2, 2

#5028 Resonechos

Echos that blur into a verb. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#5029 Reverse Nonlinear

Another version of a non-linear reverb, with extreme predelay. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{O}

[R]

96kHz

2, 2

#5030 Reverserize Hall

Multitap with linearly increasing levels, feeding a large hall reverb. Gives you a backwards sound even while the words are forward. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[R]

96kHz

2, 2

#5031 Sizzle Verb

Large, alternative, sizzly verb. Easy to control. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{O}

[H]

96kHz

2, 2

#5032 SplashVerb Maxsweep

A unique swept reverb with some unusual gating options on the input. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{S}

[G]

96kHz

2, 2

#5033 Square Tremolo Verb

This reverb has a hard edged tremolo after the verb which cuts the sound into pieces. With slow source material this can give a cool shimmer, on faster material you might get seasick. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{O}

[G]

96kHz

2, 2

#5034 Swell Verb 9

A dynamic reverb with headroom, gate & envelope filter built in. The dynamic envelope filter offers possibilities found in no other reverb units. Try adjusting fmod to a negative number! Lower your monitor volume while carefully adjusting filter since instabilities will occur with extreme settings and low q’s. Envelope filter has a bypass switch at lower right. Disable gate by turning thresh to -100 or ungated lvl to 100. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{Y}{R}

[G]

96kHz

2, 2

#5035 Tremolo Reverb

A reverb followed by a tremolo. The tremolo rate is modified by the input level. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}{O}

[G]

96kHz

2, 2

#5036 Wormhole

Mega-sized, tilting reverb. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G]

96kHz

2, 2

#5037 Zipper Up

Fast, increasing, diffused echos with reverb. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[G]

96kHz

2, 2

#5038 Verb>ArpResonators

Verb> Apreggiated Resonators. TTempo lfo sweeps stereo resonators thru preset tunings (note & octave). To tune each step and set its octave, set mode to manual and use manstep trigger to go thru each step and tune L&R resonators. Repeat to set octaves. Great on percussive or generic harmonics/transients rich material. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#5040 PlexDiff Ambience

Plex diffusion into and around reverb. Highly colored diffusion, good for bright, highly reflective ambience. Use diffusion and verb levels to balance the perception of walls and verb tail. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[K]

96kHz

2, 2

#5041 Plex Diffusor

Plex set as diffusor. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#5042 PlexDiffVerb

Plex diffusion into and around reverb. Highly colored diffusion, good for bright, highly reflective ambience. Use diffusion and verb levels to balance the perception of walls and verb tail. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{R}

[G]

96kHz

2, 2