59 - Spatialization

Some cool psycho-acoustic and clever spatialization presets.

#5910 Bass Balls

Makes speakers seem bigger than they really are by creating second harmonic of sound below a turnover frequency you set. A little goes a long way. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#5911 Invertion LFO

Takes input, throws it to 2 outputs, and periodically inverts the phase of one of the outputs. Result: sound oscillates between speakers and listener’s head! Phase inversion makes this effect a poor choice for mono recordings! Stereo in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#5912 Mess With Stereo

The left/right input is converted to sum/difference. then, a number of modifiers act upon the signal. finally It is converted back to left/right. This gives some interesting stereo enhancements. Note: There is a slight delay in processing. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}

[B]

96kHz

2, 2

#5913 Quad Spatializer

Use this effect to ‘spatialize’ a sound in a TRUE quad setup. Pick the dimensions of the room you would like the sound placed in with Room x and Room y (x is the L-R dim. and y is the F-B dim.). Pick the location of the sound in the room with Objt x and Objt y. The values of these two parameters pick a point on a coordinate grid, with the point (0,0) at the center. Mono in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#5914 QuadDlyBasedPan

A slight delay is added to all of the outputs. The delay time varies between the outputs, creating the effect of panning without level change! Delay controls how much the delay differs between outputs. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#5915 Squish / Squash

Ganged Squish and Squash controls bring the quadrophonic inputs closer to the center of the room. Use Squish or Squash separately to move the sides toward the center or the front and back toward the center. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#5916 TruePhase Delay

A variable amount of ‘phase shift’. This is real phase shift in degrees and it applies to each frequency. You also have precision delay and feedback. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#5917 3-D PhaseInverter

Inverts the phase of a input to select outputs. The psycho-acoustical result is a 3-D effect. Don’t use this effect if the outputs will be recombined. You’ll find the signal disappears! Mono in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4