69 - Eventide Users

A collections of cool presets sent us from many of our world-wide friends. Another example of creativity on this powerful open-architecture processing platform.

#6910 80s Guitar Rig

Classic 80’s guitar effects, –> : Input Trim with Gate Two channels: Clean / Distortion both with lots of EQ Tremolo Ring Modulator Octaver with Tremolo Chorus Phaser (12-stage) Wah (LFO, Pedal, or Envelope) Modulation sources include: Dedicated LFO for each effect Two external pedals Peak/Envelope follower LFO modulated by Peak Filtered Noise S&H Brought to you by: Chris Fraley www.FraleyMusic.com. Summed in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6911 Asbakwards

Backwards texture. Full lush and well asbackwards ! Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 4

#6912 Brain Loops

Four 40 second mono loops. input #> chooses which loop(s) sees input. timer #> locks and activates loops to the system timer so you may tap multiple and arbitrary lenghs via the ‘timer’. BE CAREFUL if you are going back to a loop previously set. If timer is different, go and set timer back BY HAND BEFORE you re-choose that loop # as it will DEFAULT loop to what ever number it sees. Metronome gives visual and/or sonic reference to tempo (NOT TO TIMER !). Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6913 Dynamic Worm

Mutitap and reverb swept through a filter. Extreme tail and lots of motion. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6914 Flaedermaus

sequenced pitchshifter sounds like bats chasing you around in octaves and leading tones. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6915 Ghosties

And other things that go bump in the night. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6916 Liquid Sky

Doppler alternating up and down without splicing: What goes up must come down! Free of glitches on any audio. Slow LFO makes a beat, fast makes a tremolo. Trippy after a reverb. Dual mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6917 PolySwirl Tap

A Vanilla Rack, but vanilla can be delicious, too. Switchable in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6918 September Canons

Built for performance of the title. Three parallel ping-pong delays > chorus/flanger >verb. The first two delays are configured as a ‘set’ with only delay times independently controlled. Tempo monitor as well as external control of inputs and feedbacks of the ‘two’ sets of delays asist in performance. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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48kHz

2, 2

#6920 ToddsPedalShiftVerb

shift>verb <assign 1> controls both voices. <pitch #> sets heel position. pmod sets mod amount (toe position). pitch + pmod = shift at ‘toe’ <real #> shows actual value. Preset tweaked for ‘thick fifths up’ to ‘thick octaves up’. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#6921 Descant

Play melodic lines precisely in 4/4 with the beat counter (1,2,3,4…). Simple lines of quarter notes and straight eighths can work well. You get descant melodic snippets 8va bouncing left and right in doubletime. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2