6 - Delays - Effected

Delays in this bank are enriched by many different effect types; you’ll find combinations of delays and filters (Band Delays), resonators, combs, ring modulators, detuners and tremolos. Panning delays and ping-pong are here as well, together with some Vintage style echoes and ducking delays.

#610 Banddelays

Parallel delays with filters. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[B]

96kHz

2, 2

#611 Band Delays 8ch

8 channels band delays. 8 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#612 Bandtaps

Series delays with filters. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[H]

96kHz

2, 2

#613 Bandtaps2

Series delays with filters. Setting INPUT to ‘stereo’ mutes secondary DSP inputs. Switchable in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#615 Centering Echoes

Multitap echoes that start at edges of the stereo field and move progressively closer to center as they decay. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#616 ChordRezonator8ch

8 channels resonators. The resonant frequency of each one is set using the NOTE parameter on each channel. Create any chord you wish, or set all resonators to the same value. Transpose notes by octave using the OCTAVE parameter to create wider chord voicings. The ‘freq’ parameter displays the fundamental frequency of each of the resonators. 8 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

8, 8

#617 Clearmntn Claps

A multitap specifically adjusted for claps. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[G]

96kHz

2, 2

#618 Clearmntn Delays

More than your usual echoes. Has subtle filtering and shifting going on. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#619 Combdelays

Parallel delays with resonators. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#620 Combdelays 8ch

8 channels parallel delays with resonators. 8 ch I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#621 Combtaps

Series delays with resonators. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#622 Combtaps2

Series delays with resonators. Setting INPUT to ‘stereo’ mutes secondary DSP inputs. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#623 Detuned Band Delay

Eight bands of delay and detuner built in. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#624 Down Banddelay

Twelve bands, each with a delay. Set for high frequencies first. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#625 Latticework8

Eight channel version of ‘latticework’. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#626 LongPanningDelays

Eight long delays (10 sec) with separate auto-panning. Envelope detection can be used to modulate the LFO. Output switch selects stereo or 4 channel out. Will load in DSP A only. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#627 LongPanningDelays8

Eight long delays (10 sec) with separate auto-panning. Envelope detection can be used to modulate the LFO. Output switch selects stereo or 4 channel out. Will load in DSP A only. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#628 Mess With Stereo

The left/right input is converted to sum/difference. Then, a number of modifiers act upon the signal. Finally It is converted back to left/right. This gives some interesting stereo enhancements. Note: There is a slight delay in processing. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{N}

[B]

96kHz

2, 2

#629 PanningDelays_4

Four 5 second delays with separate auto-panning. Envelope detection can be used to modulate the LFO. OUTPUT switch selects stereo or 4 channel out. Quad in, switchable out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#630 PanningDelays_8

Four 5 second delays with separate auto-panning. Envelope detection can be used to modulate the LFO. OUTPUT switch selects stereo or 4 channel out. Quad in, switchable out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#631 ParticleAccelerator

Phaser and multitap create rapid fire delays that pan left to right. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[K]

96kHz

2, 2

#632 Pingcombpong

Series delays with resonators. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#633 Pingringpong

Series delays with ringmods. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#634 Ringdelays

Parallel delays with ringmods. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#635 Ringdelays 8ch

8 ch parallel delays with ringmods and selectable display modes. 8 ch I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#636 Ringtaps

Series delays with ringmods. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[P]

96kHz

2, 2

#637 Ringtaps2

Series delays with ringmods. Setting INPUT to ‘stereo’ mutes secondary DSP inputs. Switchable in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[P]

96kHz

4, 4

#639 Samp/Hold Smear

-= Sample / Hold =- A cool Sample / Hold effect, but instead of a filter, we use ‘Smear’, some delay lines that act as a complex comb filter. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#640 Trem + Delay

Combination Trem and RingPong. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[D]

96kHz

2, 2

#641 TrippyFltrDly

Input is summed to mono, delayed then routed sequentially to eight bandpass filters. Use RATE to control speed of sequence and delay time. Note that RATE is rate of one entire sequence of eight. Use YPAN control for quad effects. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 4

#642 Up Banddelay

Twelve bands, each with a delay. Set for low frequencies first. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[H]

96kHz

2, 2

#650 4 I/O Delays

Each input feeds a diffusor (master) which feeds a moddelay with filters and another diffusor in its feedback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high feedback settings! Vintage sound for the connoisseur. Quad I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[H]

96kHz

4, 4

#651 Filtered Dlys

2 delay lines with modfilters in their feedback paths. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[B]

96kHz

2, 2

#652 Quad Delays AmbienceEmpty

Each input feeds a diffusor (master) which feeds a moddelay with filters and another diffusor in its feedback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high feedback settings! Vintage sound for the connoisseur. Quad I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#653 Quad Echoes

Each input feeds a diffusor (master) which feeds a moddelay with filters and another diffusor in its feedback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high feedback settings! Vintage sound for the connoisseur. Quad I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[B]

96kHz

4, 4

#654 Vintage Delay

2 vintage sounding delay lines. Some modern control features are added. Stereo I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#655 Vintage St DuckDlys

Stereo Vintage Delays w/ducking. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#656 DP Ducked Dlys

Stereo digital delay with double precision 2 band filter in the feedback path and ducking. Vintage and modern delay sounds are possible here. Stereo I/O.

Gain won’t affect 3dB/Octave high and low cut filters.

Q won’t affect high low cut and bandpass filters.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#657 TK’s Banddelays

4 filters into 4 t_delays, into combs with feedback routing matrix. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[H]

96kHz

2, 2

#658 Bulge Tales

4 chorusdelays feed a 2 voice modular table shifter. Balance controls the final mix between the 2 fx. Tweaked for classic M.L. chorusdelays. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[H]

96kHz

2, 2

6 - Delays Effected 5.1

Delays in this bank are enriched by many different effect types; you’ll find combinations of delays and filters (Band Delays), resonators, combs, ring modulators, detuners and tremolos. Panning delays and ping-pong are here as well, together with some Vintage style echoes and ducking delays.

#660 5.1 Banddelays

5.1 band delays. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#661 5.1 Ringdelays

5.1 ring delays. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#662 5.1 Reso>Verb

5.1 Resonant Chords > Reverb. Door controls input level. Reso sensitivity adjusts input level to resonators. Watch clipping. Each resonator has 2.4 sec delay and rhythmic subdivisions. Res #4 has assignable input/output. Other resonators are hard wired: #1>F/L, #2>F/R, #3>CNTR, #5>S/L, #6>S/R. ResoLooping is also possible. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#663 5.1 ResoChords

5.1 Resonant Chords. Door controls input level. Reso sensitivity adjusts input level to resonators. Watch clipping. Each resonator has 2.4 sec delay and rhythmic subdivisions. Res #4 has input/output assignable. Other resonators are hard wired: #1>F/L, #2>F/R, #3>CNTR, #5>S/L, #6>S/R. ResoLooping is also possible. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#664 5.1 Mangling Dlys

5.1 moddelays > modfilters > distort preamps. TapTempo dly/mod/filters sweep available. Watch levels when changing distort curves. A great tool for all sort of spectacular delays alterations. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#665 5.1 Diffused Echoes

Diffchorus > TT delays > hicut filters. Many combinations of diffused delays with reverb and modulation are possible. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#666 5.1 Diffechorus

Diffchorus > TT delays > hicut filters. Many combinations of diffused delays with verb and modulations are possible. Dual I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#667 5.1 Combdelays

5.1 comb delays. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#668 Mangling_Dlys

4 stereo pretaps delays > 2 moddelays > 2 modfilters > 2 distort preamps. Lots of TapTempo syncs available. A great tool for all sort of spectacular delays alterations. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#670 5.1 Clearmntn Delays

Hicut > delay > 3v multishift. Thick delays with mod and pitch detuning. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#671 5.1 Colortaps

Colortaps delay (comb + ring mod) in surround. 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6