7 - Delays - Loops

This bank contains a number of looping presets based on the longdelay module. This module is only available in DSP A; the presets using it will thus only be loadable on DSP A. This is a truly amazing collection really unique in the audio industry. You would need an array of several looping, processing and mixing units to try to achieve what some of these presets can do! Others are not even possible outside of the Eventide platform. Here are some examples: pre and post loop pitch shifters, 4 speakers panning, rotating or reflecting loops, multi-track loopers, polyrhythmic and “canon” style loops, criss-cross feedback loops, real-time timesqueeze processed loops, reverb/delay post-processed loops, harmony shiftable loops. A note on use: Loops have Assign 2 patched to loop input level (volume pedal) by default. Make sure you have a volume pedal connected to rear panel Pedal 1 or 2 inputs or any midi real time controller patched to Assign 2.

#710 Fractal Vortex

Cascade looper with envelope control of the looper’s input mix. Its output is fed into a panner which sprays the effect into a stereo glide, fed also directly by dry input. Envelope bias adjusts sensitivity of modulation for the input/feedback mix of the looper. Loud signals add new audio to loop, decreasing level of old layers. Soft signals keep both in the loop. Echo balance: when set at min, the mix is all Echo 1, at max. it’s all Echo 2. In between settings produce echo rhythm that change over time. Assign 2: loop door. Set feedback at 90/95%. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[V]

96kHz

2, 2

#711 Helix Loops

Four 20 sec stereo loops. <LOOP #> chooses which pair sees input. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#713 Levitation Alpha

BPM loop + effects. Sums (1+3 and 2+4) feed stereo pitchshift (2 sec) > loop (80 sec) > verb > slap(2 sec). Pitch: has envelope shaping and is bypass-able. Loop: volume pedal mod2 is door to loop, so set mod2 to high if you do not want this performance feature. Choose BPM, meter and # of measures for loop length. Slap: has source selection as well as output selection (front/rear/both). Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{P}

[K]

96kHz

4, 4

#714 Levitation Beta

BPM loop + effects Stereo sum (1+3 and 2+4) feed stereo reverseshift (10 sec) > loop (80 sec) > verb > slap (2 sec). Pitch: if mix is set to 0% then input to pitch is muted as to not it with undesired data. Loop: volume pedal (mod2) is door to loop. Set mod2 to high if you do not want this performance feature. Choose BPM, meter and # of measures for loop length. Slap: has source selection as well as output selection (front/rear/both). Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[K]

96kHz

4, 4

#715 Levitation Gamma

BPM loop + effects Sums (1+3 and 2+4) feed stereo diatonic shift > (2 sec) > loop (80 sec) > verb > slap (2 sec). Pitch: has envelope shaping external modulation mod1 and is bypass-able. Loop: vol pedal mod2 is door to loop, so set mod2 to high if you do not want this performance feature. Choose BPM, meter and # of measures for loop length. Slap: has source selection as well as output selection (front/rear/both). Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{P}

[K]

96kHz

4, 4

#717 Manifold Alpha

Non-sampler looping preset, this one with a shifter + 32 sec loop+4sec slap. DOOR is feed level to effect. INMIX to Pitch: 0 = input, 100 = Loop. INMIX to Loop: 0=input, 100=Pitch. Loop has a volume pedal before it set to mod2. Heel = no input, toe = DOOR level. in + loop + pitch feed slap loop + pitch output left. slap output right. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#718 Manifold Beta

Non-sampler looping preset, this one with a reverse shifter, 32 sec loop + 4 sec slap. DOOR is feed level to effect. INMIX to Pitch: 0=Input, 100=Loop. INMIX to Loop: 0=Input, 100=Pitch. Loop has a volume pedal before it set to mod2. Heel = no input, toe = door level. in + loop + pitch feed slap loop + pitch output left. slap output right. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#719 Mobius Loops

‘rotation manifold’ with second loop rotating counterclockwise. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#721 Panning Loops

BPM quad loops (40 sec) > quad panner. mod2 enables input to loops at level. Stereo in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#722 PhaseRefraction1

Refracts left and right timing within this multitap loop. SKEW is added to and subtracted from loop length. This alternates the phase of the left and right loop as: after/with/before/with etc… Rear channels add a 20mS throw. Stereo in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#723 PhaseRefraction2

Refracts left and right timing within this multitap loop. SKEW is a multiplier of loop length. With a loop length of 4 sec and a SKEW1 at 125 % the left loop plays back in time, but the right loop plays back at 5 sec then at 3 sec, then at 3 sec then at 5 sec. This alternates the phase of the left and right loop as: after/with/before/with etc.. Rear channels with an added 40 ms throw. Stereo in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

#724 Reich Loops 1

Four mono 35 sec loops + delays. Post loop delays 8 sec max. <LOOP #> chooses which loop sees input <TIMER EQUALS> param selects how the math of the T_DELAY params work. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#725 Reich Loops 2

Four mono 40 sec loops + delays. Post loop delays 8 sec max. <LOOP #> chooses which loop sees input <TIMER EQUALS> param selects how the math of the T_DELAY params work. RAMP params set speed and direction of ramps. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#726 Reich Loops 3

A simple quad loop with T_SKEW parameters which add that time to their respective loop lengths. Be careful as artifacts from changing T_SKEW will occur within the feedback path. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#727 Rotation Loop

Quadloops(40sec) feedback to next loop # this rotates the loop clockwise over time. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#729 Skew Loop 1

Stereo loops. Right loop has a SKEW amount parameter which adds that amount to its loop length. This one in seconds. Max delay length is 80 sec left and 90 sec right. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#730 Skew Loop 2

Stereo loops. Right loop has a SKEW amount parameter which adds that amount to its loop length. This one as a percentage of loop length. Max delay is 80 sec on left and 90 sec on right. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#732 Undoloop

Signal feeds a stereo 30 sec loop used as a buffer. If you like what you hear hit MERGE. If you don’t, hit CLEAR. During the ‘event’ no new data can be input. Event duration is equal to loop length. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#733 YourHarmonyDevice

Mono loop (max 10 sec) > 3 shifters with pre-settable values > autopanner > verb. Build a sequence of chords with tune 1/2/3 parameters and step thru it with triggers or ext. triggers ( Tip 2 & Ring 2). ASSIGN1 is volume pedal to loop. ASSIGN2 is loop feedback. Great 4 E-BOW pads!!! Loop a C Root tone & step thru chords while you solo on top. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#734 4 Tracker#3

Choose between the four loops by hand or via EXTERNAL1. Simple displays help in this four track loop/recorder. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#735 4 Tracker#4

Like 4 tracker #3 with pitches for each track. Choose between the four loops by hand or via EXTERNAL1. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 2

#736 4 Tracker#5

Like 4 tracker #3 with quad output mixing. Choose between the four loops by hand or via EXTERNAL1. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

2, 4

7 - Delays - Loops 5.1

This bank contains a number of looping presets based on the longdelay module. This module is only available in DSP A; the presets using it will thus only be loadable on DSP A. This is a truly amazing collection really unique in the audio industry. You would need an array of several looping, processing and mixing units to try to achieve what some of these presets can do! Others are not even possible outside of the Eventide platform. Here are some examples: pre and post loop pitch shifters, 4 speakers panning, rotating or reflecting loops, multi-track loopers, polyrhythmic and “canon” style loops, criss-cross feedback loops, real-time timesqueeze processed loops, reverb/delay post-processed loops, harmony shiftable loops. A note on use: Loops have Assign 2 patched to loop input level (volume pedal) by default. Make sure you have a volume pedal connected to rear panel Pedal 1 or 2 inputs or any midi real time controller patched to Assign 2.

#740 5.1 Loop & Freeze

5.1 43 sec looping array + freezer. Loops and freezer lengths are controlled by system Timer. Be aware that a system Timer tap run/stop interval is interpreted as 1 bar for the loops and as a 1/4 note in the freezer. This presets allows looping and freezing in parallel. Tip1 controls Freeze. M_FBACK scales all loops feedbacks. Midi control of loop door and M_FBACK available. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#741 5.1 Soundscapes

5.1 43 sec looping array. Loops lengths are controlled by system Timer. M_FDBACK scales all feedbacks. Midi control of loop door and M_FDBACK available. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#742 Soundscapes

Quad looping array. 4x52.5 sec loops feed 4 speakers. Loops lengths are controlled by system Timer. M_FDBACK scales all feedbacks. M_LEVEL scales all output levels Midi control of loop door and M_FDBACK available. Quad or Stereo I/Quad O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4

#743 5.1 Loops > Colors

5.1 43 sec looping array into Color (comb + ring mod) in surround. Loops lengths are controlled by system Timer. M_FDBACK scales all feedbacks. Midi control of loop door and M_FDBACK available. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#744 5.1 Loops>ModdtunersEmpty

5.1 43 sec looping array into moddetuners in surround. Loops lengths are controlled by system Timer. M_FBACK scales all feedbacks. Midi control of loop door and M_FBACK available. Moddetuners offer pitch and delay modulation and new LFO waveforms. 5.1 I/O.

Full 5.1 I/O surround algorithm. 5 moddetuners w/ pitch and delay modulation. Includes new LFO waveforms 5.1 I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#745 5.1 Loops > XF Mod

5.1 43 sec looping array into XF modulation delays in surround. Loops lengths are controlled by system Timer. M_FBACK scales all feedbacks. Midi control of loop door and M_FBACK available. Xfade times of less than about 20mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. 5.1 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6