8 - Delays - Modulated

A Bank offering a wide variety of modulated delays. Sophisticated stereo, multi-channel and 5.1 manipulations are also included. Here is where you’ll find mono, stereo and multi-channel choruses, flangers, Leslie simulators, panning moddelays and many of their variations and enhancements, including some clever emulations of old favorites.

#810 ‘Static’ Flanger

Eight flangers modulated such that at any time four are going ‘up’ and 4 are going ‘down’. The result is a flanger that doesn’t really go anywhere… it just sounds ‘flangey’. The effect takes a few seconds to kick in. The ‘dry’ signal is also delayed 1/2 the value of ‘Depth’. Summed in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 4

#811 Allan’s Chorus

Here’s a rack with 8 digital delays with filtering, modulation, levels and panning for each of them. Dry sound is parallel to them. One of the secrets to a great chorus/delay sound is the random interactivity in their sweep patterns. A volume pedal is placed at the input of the structure. A very flexible algorithm. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#812 Auto Tape Flanger

The real deal. This pup can sound like you’re rocking the reels. Sweep delays parallel to fixed delays so you can go through zero. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{G}

[D]

96kHz

2, 2

#813 Band Flanger

Input is divided into octaves and each octave is flanged separately. Decrease input gain to avoid distortion and increase output gain to compensate. Summed in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{G}

[D]

96kHz

2, 4

#814 Chordal Swell

Use your Assign1 as volume pedal for chords swells thru’ this rack of 8 digital delays with filtering, modulation, levels and panning for each of them. Dry sound is parallel to them. A very flexible algorithm. Mono in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{G}

[P]

96kHz

2, 2

#815 Chorusdelays

Parallel delays with LFO’s. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{G}

[D]

96kHz

2, 2

#816 Chorusdelays 8ch

8 channels delays with modulation. 8 I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#817 Chorused Cabinet

The sound of a miked speaker cabinet with a touch of modulating chorus. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[B]

96kHz

2, 2

#818 Chorused Delays

Simple stereo chorus/delays. Left and right modulation mirror each other. When left mods up, right mods down. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#819 Chorustaps

Series delays with LFO’s. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#820 Chorustaps 2

Series delays with LFO’s. Stereo input mutes secondary DSP inputs. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{O}

[M]

96kHz

4, 4

#821 Detune Chorus

Similar to ‘Real Chorus’ with lots of detuned echoes. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}

[M]

96kHz

2, 2

#822 Drew’sThroatflange

A deep negative resonant flange that adds a throaty quality to sounds. Sounds cool on drums as well. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{H}

[H]

96kHz

2, 2

#823 Drunken Sailor

This is a deeply unpleasant effect which may strike a chord with those of a nautical inclination. It may also bring back fond memories of analog tape decks. There is an amusing time lag on the Wind adjustment. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}

[M]

96kHz

4, 4

#824 DualChorus

Simple stereo chorus. Tweaked as chorus. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}

[B]

96kHz

2, 2

#825 DualChorusDelays

Simple stereo chorus. Tweaked as sweeping delays. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{R}

[H]

96kHz

2, 2

#826 Envelope Flanger

A flanger that is controlled by the level of the input. attack and decay control the response time. For something different, try LONG depth’s. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{P}{H}

[M]

96kHz

4, 4

#827 Envelope Flanger 8

A flanger that is controlled by the level of the input. attack and decay control the response time. For something different, try LONG depth’s. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}

[R]

96kHz

8, 8

#828 Flange Echoes

Each of four flangers are panned and then feed a stereo echo.. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G][S]

96kHz

2, 2

#829 Flanged Delays

Two delays where the echoes are flanged. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}

[F]

96kHz

2, 2

#830 Hiccup Chorus

Eight chorusing delays into a stuttering tremolo effect. You can engage an external control to change the trem rate. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}

[M]

96kHz

2, 2

#831 Infinite Flange

Many flange lines are modulated such that you always hear rising or falling flanges. Because of the mechanisms involved, the program distorts upon loading (sorry!). (1+2), 4 (mono) out. Summed in, mono out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{H}

[G]

96kHz

2, 4

#832 Leslie Simulator

Basic rotating speaker effect with a little reverb. There’s actually two speakers (high and low) and you can alter each to your taste. When you load this preset, the settings are for what we believe to be most natural. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{Y}

[M]

96kHz

2, 2

#833 Pan Chorus’s

Four delays are panned and swept with eight oscillators, creating a rich but tight field of voices. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#834 Panning Delays

Four delay lines. Each is panned by its own LFO. Also, each has another LFO modulating its delay. Stereo in, stereo out.

Effect Type

Suggested Use

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In/Out

{D}

[G]

96kHz

2, 2

#835 Pingchoruspong

Series delays with LFO’s. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#836 Polymod Chorus

Three sets of stereo delays with FM modulation of each set. This allows very rich modulation while smearing the sense of sweep patterns. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#837 Polymod Delay

Tweak of ‘polymod chorus’ set for chorus and delays with subtle modulation patterns. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{U}

[G]

96kHz

2, 2

#838 Pure Comb Flange

A flange modulated by the level of the input. Attack and Decay control response. Flange controls depth. The Flange is recombined with the INVERSE of the original signal. All that remains are the combs. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{U}

[G]

96kHz

4, 4

#839 Pure Comb Flange8

A flange modulated by the level of the input. Attack and Decay control response. Flange controls depth. The Flange is recombined with the INVERSE of the original signal. All that remains are the combs. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{U}

[G]

96kHz

8, 8

#840 QuantizedDelays

These four parallel delays have user selectable bit paths. These allow emulation of older style gear. 24 bit all the way down to one. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{F}{U}

[G]

96kHz

2, 2

#841 Real Chorus

A simulation of having eight more of the input. Summed in, stereo out.

Effect Type

Suggested Use

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96kHz

2, 2

#842 Real Chorus TNG

A simulation of additional musicians. Tuning: How well they are in tune. Timing: How tight they are. Hunting: How fast they find the note. Best on single-note instruments. Note: some instruments don’t hunt. (Keyboard, drums, etc..) Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{O}

[B]

96kHz

2, 2

#843 S&H Flange Hell

Four mod delays per channel whose delay times and pans are modified by 4 Sample and Hold ‘circuits’. Decrease Glide for insanity, increase for ‘flange’. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#844 Serial Delays

Stereo serial delays. Delay #1 represents a ganged stereo pair with opposing modulation directions. Ditto for #2. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#845 Stereo Chorus

Eight moddelays, each with an LFO. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#846 Stereo Flange

Two flangers with a common LFO. Run your sound through this preset for the proper mix. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#847 Stereo Flange 1968

Nice, stereo flange. There are separate delay controls but a common LFO. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#848 StringPadFlanger

Flanger built from allpass modules. LFO modulates predelay time. Works well on midrange instruments such as string sections and synth pads. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

4, 4

#849 StringPadFlanger

A flanger built from allpass modules. LFO modulates predelay time. Works well on midrange instruments such as string sections and synth pads. Octal in, octal out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

8, 8

#850 Swirl Flanges

Four flangers that also pan around you. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#851 Tri Band Chorus

Just what the title says. Gives very rich and full chorusing and image as each frequency has its own fx path. Stereo in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

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96kHz

2, 2

#852 Undulate

A shimmery undulating delay constructed from 6 amplitude modulated delays and a complex feedback matrix. Summed in, stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#853 OctalChorusEchos

Eight delays which are randomly modulated up another 0-30 mS. Each delay pair is fed by one of the four inputs. cycles is speed of the randomizer, glide controls delay glide time. Quad in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#854 ChorusEchos 8ch

Eight delays which are randomly modulated up another 0-30 mS. cycles is speed of the randomizer, glide controls delay glide time. 8 channels I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

8, 8

#855 4v Random XF Chorus

Multitap delay lines with modulation, gain control & crossfading outputs. Crossfading is activated for all delay and gain changes including modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Dry level available. Stereo I/O

Left input feeds dlys 1 & 2. Right input feeds dlys 3 & 4.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#856 DPFiltered XF DelaysEmpty

Multitap delay lines with modulation, gain control & crossfading outputs. Crossfading is activated for all delay and gain changes including modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Dual precision filter inserted in the fback path. Dry level available. Stereo I/O

Left input feeds dlys 1 & 2. Right input feeds dlys 3 & 4.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#857 Random XF Flanger

Multitap delay lines with modulation, gain control & crossfading outputs. Crossfading is activated for all delay and gain changes including modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Dry level available. Stereo I/O

Left input > dly 1 Right input > dly 2

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

2, 2

#858 What a Flanger 8ch

Eight mod detuners tweaked for super analog sounding flanger. 8 ch I/O.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{M}

[G]

96kHz

8, 8

#859 5.1 Random XFChorus

5 multitap delay lines with modulation & crossfading outputs. Crossfading is activated for all delay and modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Reduce input trim to -6/10dB w/high fback settings! 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

8 - Delays Modulated 5.1

A Bank offering a wide variety of modulated delays. Sophisticated stereo, multi-channel and 5.1 manipulations are also included. Here is where you’ll find mono, stereo and multi-channel choruses, flangers, Leslie simulators, panning moddelays and many of their variations and enhancements, including some clever emulations of old favorites.

#860 5.1 Chorus

Full 5.1 I/O surround algorithm. 5 delay lines swept by 5 discrete lfos. Reduce input trim to -6/10dB w/high fback settings! 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#861 5.1 Circling Delays

Full 5.1 I/O surround algorithm. 5 delay lines w/ lowcut & hicut filters in the feedback paths. M_lowcut & M_hicut at 100%% use the delays lowcut & hicut settings. Complex filtered polyrhytms and modulations are possible. TTempo sync available on all dlys and lfos rates. Reduce input trim to -6/10dB w/high fback settings! Do not use this algorithm for flanger-type fx. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

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~

96kHz

6, 6

#862 5.1 Detuned Echoes

Full 5.1 I/O surround algorithm. 5 delay lines w/ lowcut & hicut filters in the feedback paths. M_lowcut & M_hicut at 100%% use the delays lowcut & hicut settings. Complex filtered polyrhytms and modulations are possible. TTempo sync available on all dlys and lfos rates. Reduce input trim to -6/10dB w/high fback settings! Do not use this algorithm for flanger-type fx. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

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~

96kHz

6, 6

#863 5.1 Flanger

Full 5.1 I/O surround algorithm. 5 delay lines swept by 5 discrete lfos. Reduce input trim to -6/10dB w/high fback settings! 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#864 5.1 Fr/Sur Bounce

Full 5.1 I/O surround algorithm. 5 delay lines w/ lowcut & hicut filters in the feedback paths. M_lowcut & M_hicut at 100%% use the delays lowcut & hicut settings. Complex filtered polyrhytms and modulations are possible. TTempo sync available on all dlys and lfos rates. Reduce input trim to -6/10dB w/high fback settings! Do not use this algorithm for flanger-type fx. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

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~

96kHz

6, 6

#865 5.1 Rotation Delays

Surround panning delays. Each dly line pans around Front and Surround speakers, with selectable rotation pattern. Center delay can be fixed on center speaker or rotating as the other dlys. 5.1 I/O

Effect Type

Suggested Use

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96kHz

6, 6

#866 5.1 Vintage Delays

Full 5.1 I/O surround algorithm. 5 delay lines w/ lowcut & hicut filters in the feedback paths. M_lowcut & M_hicut at 100%% use the delays lowcut & hicut settings. Complex filtered polyrhytms and modulations are possible. TTempo sync available on all dlys and lfos rates. Reduce input trim to -6/10dB w/high fback settings! Do not use this algorithm for flanger-type fx. 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#867 5.1 DP Filtrd XFDlysEmpty

5 multitap delay lines with modulation & crossfading outputs. Crossfading is activated for all delay and modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Dual precision filter inserted in the fback path. Reduce input trim to -6/10dB w/high fback settings! 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

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~

96kHz

6, 6

#868 5.1 Random XFDelays

5 multitap delay lines with modulation & crossfading outputs. Crossfading is activated for all delay and modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Reduce input trim to -6/10dB w/high fback settings! 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

#869 5.1 Random XFFlangerEmpty

5 multitap delay lines with modulation & crossfading outputs. Crossfading is activated for all delay and modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Reduce input trim to -6/10dB w/high fback settings! 5.1 I/O

I/O 5.1 standard configuration 1 > LEFT 4 > LFE 2 > RIGHT 5 > Surr LEFT 3 > CENTER 6 > Surr RIGHT

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

6, 6

8 - Delays - Modulated 2

A Bank offering a wide variety of modulated delays. Sophisticated stereo, multi-channel and 5.1 manipulations are also included. Here is where you’ll find mono, stereo and multi-channel choruses, flangers, Leslie simulators, panning moddelays and many of their variations and enhancements, including some clever emulations of old favorites.

#870 4 I/O ModDelays

Each input feeds a diffusor (master) which feeds a moddly w/filters and another diffusor in its fdback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high fback settings! Vintage sound for the connoisseur. Quad I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

4, 4

#871 Dual 2taps Chorus

Each input feeds a diffusor (master) which feeds 2 parallel moddlys w/filters and another diffusor in their fdback paths. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high fback settings! Vintage sound for the connoisseur. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

2, 2

#872 Dual 2taps Delay

Each input feeds a diffusor (master) which feeds 2 parallel moddlys w/filters and another diffusor in their fdback paths. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high fback settings! Vintage sound for the connoisseur. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[K]

96kHz

2, 2

#873 Dual 2taps Echorus

Each input feeds a diffusor (master) which feeds 2 parallel moddlys w/filters and another diffusor in their fdback paths. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high fback settings! Vintage sound for the connoisseur. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[B]

96kHz

2, 2

#874 Stereo Chorus

Classic stereo chorus w/phase inverted sweep and TTempo mod rate. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#875 Lucy In The Sky

8 moddelays matrix with filters in their routable fback paths. High fback settings and matrix configurations can produce runaway feedback. Be careful. Summed in/stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#876 Flanged Space 1

8 moddelays matrix with filters in their routable fback paths. High fback settings and matrix configurations can produce runaway feedback. Be careful. Summed in/stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{M}

[G]

96kHz

2, 2

#877 EchoMatic

8 moddelays matrix with filters in their routable fback paths. High fback settings and matrix configurations can produce runaway feedback. Be careful. Summed in/stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#878 Delays Matrix

8 moddelays matrix with filters in their routable fback paths. High fback settings and matrix configurations can produce runaway feedback. Be careful. Summed in/stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}{P}

[G]

96kHz

2, 2

#879 AmbiClouds 2

8 moddelays matrix with filters in their routable fback paths. High fback settings and matrix configurations can produce runaway feedback. Be careful. Summed in/stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#880 Vibropad

8 moddelays matrix with filters in their routable fback paths. High fback settings and matrix configurations can produce runaway feedback. Be careful. Summed in/stereo out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#881 Chors’n’Echo

4 chorusdelays set as classic ’80s racks sounds. Stereo I/O

Effect Type

Suggested Use

Max Sample Rate

In/Out

{D}

[G]

96kHz

2, 2

#882 Chorusdelays2

Parallel delays with LFO’s. Quad in: each input feeds its delay line. Stereo in: input #1 feeds voice #1+3. input #2 feeds voice #2+4. Stereo in, quad out.

Effect Type

Suggested Use

Max Sample Rate

In/Out

~

~

96kHz

4, 4