6 - Delays - Effected¶
Delays in this bank are enriched by many different effect types; you’ll find combinations of delays and filters (Band Delays), resonators, combs, ring modulators, detuners and tremolos. Panning delays and ping-pong are here as well, together with some Vintage style echoes and ducking delays.
#610 Banddelays¶
Parallel delays with filters. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [B] | 96kHz | 2, 2 |
#611 Band Delays 8ch¶
8 channels band delays. 8 I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#612 Bandtaps¶
Series delays with filters. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [H] | 96kHz | 2, 2 |
#613 Bandtaps2¶
Series delays with filters. Setting INPUT to ‘stereo’ mutes secondary DSP inputs. Switchable in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#615 Centering Echoes¶
Multitap echoes that start at edges of the stereo field and move progressively closer to center as they decay. Mono in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#616 ChordRezonator8ch¶
8 channels resonators. The resonant frequency of each one is set using the NOTE parameter on each channel. Create any chord you wish, or set all resonators to the same value. Transpose notes by octave using the OCTAVE parameter to create wider chord voicings. The ‘freq’ parameter displays the fundamental frequency of each of the resonators. 8 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{M} | [G] | 96kHz | 8, 8 |
#617 Clearmntn Claps¶
A multitap specifically adjusted for claps. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 2, 2 |
#618 Clearmntn Delays¶
More than your usual echoes. Has subtle filtering and shifting going on. Mono in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#619 Combdelays¶
Parallel delays with resonators. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#620 Combdelays 8ch¶
8 channels parallel delays with resonators. 8 ch I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#621 Combtaps¶
Series delays with resonators. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#622 Combtaps2¶
Series delays with resonators. Setting INPUT to ‘stereo’ mutes secondary DSP inputs. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#623 Detuned Band Delay¶
Eight bands of delay and detuner built in. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#624 Down Banddelay¶
Twelve bands, each with a delay. Set for high frequencies first. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#625 Latticework8¶
Eight channel version of ‘latticework’. Octal in, octal out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#626 LongPanningDelays¶
Eight long delays (10 sec) with separate auto-panning. Envelope detection can be used to modulate the LFO. Output switch selects stereo or 4 channel out. Will load in DSP A only. Octal in, octal out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#627 LongPanningDelays8¶
Eight long delays (10 sec) with separate auto-panning. Envelope detection can be used to modulate the LFO. Output switch selects stereo or 4 channel out. Will load in DSP A only. Octal in, octal out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#628 Mess With Stereo¶
The left/right input is converted to sum/difference. Then, a number of modifiers act upon the signal. Finally It is converted back to left/right. This gives some interesting stereo enhancements. Note: There is a slight delay in processing. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{N} | [B] | 96kHz | 2, 2 |
#629 PanningDelays_4¶
Four 5 second delays with separate auto-panning. Envelope detection can be used to modulate the LFO. OUTPUT switch selects stereo or 4 channel out. Quad in, switchable out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#630 PanningDelays_8¶
Four 5 second delays with separate auto-panning. Envelope detection can be used to modulate the LFO. OUTPUT switch selects stereo or 4 channel out. Quad in, switchable out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#631 ParticleAccelerator¶
Phaser and multitap create rapid fire delays that pan left to right. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [K] | 96kHz | 2, 2 |
#632 Pingcombpong¶
Series delays with resonators. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#633 Pingringpong¶
Series delays with ringmods. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#634 Ringdelays¶
Parallel delays with ringmods. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#635 Ringdelays 8ch¶
8 ch parallel delays with ringmods and selectable display modes. 8 ch I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#636 Ringtaps¶
Series delays with ringmods. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [P] | 96kHz | 2, 2 |
#637 Ringtaps2¶
Series delays with ringmods. Setting INPUT to ‘stereo’ mutes secondary DSP inputs. Switchable in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [P] | 96kHz | 4, 4 |
#639 Samp/Hold Smear¶
-= Sample / Hold =- A cool Sample / Hold effect, but instead of a filter, we use ‘Smear’, some delay lines that act as a complex comb filter. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#640 Trem + Delay¶
Combination Trem and RingPong. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [D] | 96kHz | 2, 2 |
#641 TrippyFltrDly¶
Input is summed to mono, delayed then routed sequentially to eight bandpass filters. Use RATE to control speed of sequence and delay time. Note that RATE is rate of one entire sequence of eight. Use YPAN control for quad effects. Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 4 |
#642 Up Banddelay¶
Twelve bands, each with a delay. Set for low frequencies first. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [H] | 96kHz | 2, 2 |
#650 4 I/O Delays¶
Each input feeds a diffusor (master) which feeds a moddelay with filters and another diffusor in its feedback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high feedback settings! Vintage sound for the connoisseur. Quad I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [H] | 96kHz | 4, 4 |
#651 Filtered Dlys¶
2 delay lines with modfilters in their feedback paths. Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [B] | 96kHz | 2, 2 |
#652 Quad Delays Ambience¶
Each input feeds a diffusor (master) which feeds a moddelay with filters and another diffusor in its feedback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high feedback settings! Vintage sound for the connoisseur. Quad I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#653 Quad Echoes¶
Each input feeds a diffusor (master) which feeds a moddelay with filters and another diffusor in its feedback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high feedback settings! Vintage sound for the connoisseur. Quad I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [B] | 96kHz | 4, 4 |
#654 Vintage Delay¶
2 vintage sounding delay lines. Some modern control features are added. Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#655 Vintage St DuckDlys¶
Stereo Vintage Delays w/ducking. Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#656 DP Ducked Dlys¶
Stereo digital delay with double precision 2 band filter in the feedback path and ducking. Vintage and modern delay sounds are possible here. Stereo I/O.
Gain won’t affect 3dB/Octave high and low cut filters.
Q won’t affect high low cut and bandpass filters.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 2, 2 |
#657 TK’s Banddelays¶
4 filters into 4 t_delays, into combs with feedback routing matrix. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [H] | 96kHz | 2, 2 |
#658 Bulge Tales¶
4 chorusdelays feed a 2 voice modular table shifter. Balance controls the final mix between the 2 fx. Tweaked for classic M.L. chorusdelays. Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [H] | 96kHz | 2, 2 |
#660 5.1 Banddelays¶
5.1 band delays. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#661 5.1 Ringdelays¶
5.1 ring delays. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#662 5.1 Reso>Verb¶
5.1 Resonant Chords > Reverb. Door controls input level. Reso sensitivity adjusts input level to resonators. Watch clipping. Each resonator has 2.4 sec delay and rhythmic subdivisions. Res #4 has assignable input/output. Other resonators are hard wired: #1>F/L, #2>F/R, #3>CNTR, #5>S/L, #6>S/R. ResoLooping is also possible. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#663 5.1 ResoChords¶
5.1 Resonant Chords. Door controls input level. Reso sensitivity adjusts input level to resonators. Watch clipping. Each resonator has 2.4 sec delay and rhythmic subdivisions. Res #4 has input/output assignable. Other resonators are hard wired: #1>F/L, #2>F/R, #3>CNTR, #5>S/L, #6>S/R. ResoLooping is also possible. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#664 5.1 Mangling Dlys¶
5.1 moddelays > modfilters > distort preamps. TapTempo dly/mod/filters sweep available. Watch levels when changing distort curves. A great tool for all sort of spectacular delays alterations. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#665 5.1 Diffused Echoes¶
Diffchorus > TT delays > hicut filters. Many combinations of diffused delays with reverb and modulation are possible. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#666 5.1 Diffechorus¶
Diffchorus > TT delays > hicut filters. Many combinations of diffused delays with verb and modulations are possible. Dual I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#667 5.1 Combdelays¶
5.1 comb delays. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#668 Mangling_Dlys¶
4 stereo pretaps delays > 2 moddelays > 2 modfilters > 2 distort preamps. Lots of TapTempo syncs available. A great tool for all sort of spectacular delays alterations. Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#670 5.1 Clearmntn Delays¶
Hicut > delay > 3v multishift. Thick delays with mod and pitch detuning. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |
#671 5.1 Colortaps¶
Colortaps delay (comb + ring mod) in surround. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 6, 6 |