16 - Front Of House¶
A great group of presets crafted for “Front-of-the-House” work, including multi-fx networks, classic Eventide “Micropitch” thickeners, reverbs, delays, detuners, compressors…all you might need on your live mixing boards.
#1610 Character Shift 1>2¶
A simple two voice detuner/shifter with a feedback loop feeding each voice back to the mono put. Each feedback loop has an integrated slew filter as an effective tool for characterization. Mono in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P} | [G][P][R][K] | 96kHz | 2, 2 |
#1612 F Of H Multi¶
Multieffects. In1>pitch, in2>delays, in3> vocal reverb, in4> percussion reverb. Pitch + delays stereo out 1+2 reverbs stereo out 3+4. Quad in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P} | [G][H][B][K] | 96kHz | 4, 4 |
#1613 KG’s ColorHall¶
Unusual percussion reverb. designed special for live sound most features are self-descriptive. There are just two specials: 1: 3 different earlyrefl. times 2: diffusioncolour and microdly can color the sound of your verb. HAVE FUN !!! Stereo in, stereo out.
← lopass hipass →
← early LEVELS reverb → diffusioncolour
Allows you to control the room size (displayed as width on the main page)
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#1614 L<->R Long¶
L ←→ R tap tempo delay, optional switchable to R←→L entered delay time (max 3000 mS) is the same for each channel, feedback control is located at the end of the L-C-R chain. Optional ducker reduces the output level when input occurs, when the input stops the full effect occurs. Mono in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#1615 L>detune / R>reverb¶
Left input : 2 voice shifter right input: tap tempo reverb size relation refers to early reflection density in relation to the reverb decay shifter is also summed to the rev input. Dual mono in, stereo out.
level ← → freq
refl ← → verb
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#1616 L_C_R Long¶
typical L-C-R delay, optional switchable to R-C-L entered delay time (max 2000 mS) is the same for each channel, feedback control is located at the end of the L-C-R chain. Optional ducker reduces the output level when input occurs, when the input stops the full effect occurs. Mono in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#1617 L_C_R Short¶
typical L-C-R delay, optional switchable to L-R entered delay time (max 660 mS) is the amount for each channel, feedback control is located at the end of the L-C-R chain. Optional gate reduces the output level when no input occurs, at short delay times great to thicken up a voice e.g.. for reverb. Mono in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#1618 MicroPitch (+/-)¶
Four voice micropitch grouped in sets of two, plus and minus the cents value & spread in stereo. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#1619 Saxomaniac¶
One reverse shifter and a phaser in series per channel - tuned for sax. A feedback loop allows you to create weird delays that can be panned as well. The phaseshifter at the end of the signal chain might add even more craziness than you are looking for- so switch it on ! ! Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P} | [H] | 96kHz | 2, 2 |
#1620 2 Voice Vox Reverse¶
Two reverse shifters with a feedback loop feeding each voice back to the mono input. Tuned for vocals. There is also a phase shifter at the end of the signal chain, modulated by two LFOs. Mono in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P} | [P] | 96kHz | 2, 2 |
#1621 4 Reverbs (FoH)¶
Four stereo reverbs with diffusion, fed by each input. In1 > Verb1 (Hall1) > outputs 1&2. In2 > Verb2 (Hall2) > outputs 1&2. In3 > Verb3 (Room1) > outputs 3&4. In4 > Verb4 (Room2) > outputs 3&4. On/Off switching for each verb is provided. Quad mono in, dual stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [H] | 96kHz | 4, 4 |
#1622 4 Softknee Comps¶
Four soft knee compressors, linkable to two stereo pairs. The first menupage resets itself at a specified time after the first param change so that you don’t get lost. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{C} | [G][B] | 96kHz | 4, 4 |
#1623 FoH Fx Rack #1¶
In1>dtune+dly&verb in parallel>out1&2 in2>dly+verb in parallel>out&2 in3>detune in4>detune both detuners 3&4 have dly+verb in parallel>out3&4
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G][B] | 96kHz | 4, 4 |
#1624 FoH Fx Rack #2¶
In1>dtune>dly+diff/verb in parallel>out1&2 in2>detune in3>detune in4>detune all+dly/verb in parallel>out3&4
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |