19 - Inst - Fuzz

Fuzz type distortion achieved with different techniques from the presets in the previous bank. As with all Eventide processors, you can easily generate several dozens of effects from any one of these algorithms. Here you’ll find just about any paradigm and variation of fx processed fuzz, being able to project this classic sound into the future, creating tones not available on any other product.

#1910 Biomechanica Two

Fuzzpre>modfilter>pingpong. Deep modulating filter sweeps between freq and fmod with a 2nd LFO ramping the depth to get this synth like filter effect. Control as rhythmic values as well as Hz/mS. Stereo in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}	[G][B]	96kHz	2, 2

#1911 Bit Desert 1

Bit decimation preamp > tdelay>diffchorus. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G][B]	96kHz	2, 4

#1912 Bit Desert 2

Bit decimation preamp > tdelay>diffchorus. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G][B]	96kHz	2, 4

#1913 BitDecimationPreamp

Compressor> bit decimation>EQ>volume pedal>gate. Bit decimation down to one bit. Summed in, mono out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G][B]	96kHz	2, 2

#1914 Bits Cruncher

quantizing fuzzpre > diffusion/delays. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G][H][B][D]	96kHz	2, 4

#1915 Bits Smasher

quantizing fuzzpre > diffusion/delays. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G][H][B][D]	96kHz	2, 4

#1916 Black Queen

Fuzzpre>dual crystals>diffusors. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{P}{H}{Z}	[G][B][K]	96kHz	2, 4

#1917 Chorus Smear

Overdrive preamp>four moddelays>verb. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
~	~	96kHz	2, 4

#1918 Cloudfuzz

Fuzzpre>pingpong>simple diffusor. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G]	96kHz	2, 4

#1919 Eel Guitar

Overdrive>fm chorus. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{M}{C}{Z}	[G][D]	96kHz	2, 2

#1920 First Dominion

Fuzzpreamp>2tapdelay>verb. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G]	96kHz	2, 4

#1921 FuzzPreamp

Fuzz preamp simulation. comp>EQ>fuzz>EQ>vol pedal>gate. Summed in, dual mono out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{Z}	[G][M][B]	96kHz	2, 2

#1922 Grieving Tube

Wa>fuzzpre>2tapdelay. Use External Control for the wah pedal. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{F}{Z}{S}	[G][P][P][D]	96kHz	2, 2

#1923 Grundulator

Bit decimation preamp > undulator. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}{Z}{S}	[G][M][R][D][K]	96kHz	2, 2

#1924 Harmonicon

Fuzzpreamp>wammy>2tapdelay>verb. With its long delay settings and shorter wammy this is great for creating long washes and overlaps. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}{S}	[G][M][P][K]	96kHz	2, 4

#1925 Larynxfuzz

Fuzzpre>env filter >pingpong. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{F}{Y}{Z}{S}	[P][D][K]	96kHz	2, 2

#1926 Mr. Hyde

Gate>Distortion>Reverb. Stereo in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{R}{Z}{S}	[G][H][P][R]	96kHz	4, 4

#1927 OverdrivePreamp

This preamp simulation is more reactive to the dynamics of your playing than ‘fuzzpreamp’. Summed in, mono out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{Z}	[G][M][B]	96kHz	2, 2

#1928 Pandemonium

Combination of fuzzpreamp and demondelay. Agressive reverse type sound. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G][D]	96kHz	2, 2

#1929 Paradigm Shift

Fuzzpreamp>dual shifter. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{P}{Z}	[G][K]	96kHz	2, 2

#1930 Pedal Shift

Overdrive preamp>shift>verb. Pedal crossfade between preamp and shifted signal. Verb output selectable front, rear or both. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{P}{R}{Z}	[G]	96kHz	2, 4

#1931 Ringworld

Fuzzpreamp>simple ringmods>verb. Great for non-delay ringmod sounds. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{M}{R}{Z}	[G]	96kHz	2, 4

#1932 Satellites

Fuzzpre with ‘circle ringtaps’. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}{Z}	[G]	96kHz	2, 4

#1933 Second Dominion

Fuzzpreamp>wammy>2tapdelay>verb. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{P}{R}{Z}	[G]	96kHz	2, 4

#1934 Siderialfuzz

Combination of FuzzPre and SerialDelays. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{Z}	[G][B]	96kHz	2, 2

#1935 Squiggle Guitar

Fool em with your newfound dexterity forward or backwards. Fuzzpreamp>speed changer effect>verb. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{F}{S}	[G]	96kHz	2, 2

#1936 Third Dominion

Fuzz preamp with wa+wammy> reverseshifter(20 sec)>slap(2 sec)>verb. Select verb out to front, rear or both. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{O}	[G]	96kHz	2, 4

#1937 Turbulence

Fuzz preamp>fm chorus. Output selection of the second set of delays, front, rear or both. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}	[G]	96kHz	2, 4

#1938 Wideshift

Overdrive>multishift. Set as a widening detuner. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{N}{F}{Y}	[G]	96kHz	2, 4

#1939 5.1 Pandemonium

5.1 multitap dlys w/up to 5 sec predelay on each channel. LFE chanel is un_processed. 5.1 I/O

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{F}{M}{S}	[S]	96kHz	6, 6