20 - Inst - Polyfuzz¶
Multiband distortion manipulation yields such intriguing results that you really need to spend some time on this path. Aside from sounding good by themselves, the results one gets by combining these algorithms with auxiliary equipment can’t be stressed enough. As with all harmonic manipulations, your ears alone can lead you. The combination of playing style, source material, direct vs. post-preamp, headphones vs. monitors or guitar cabinets, etc. all play a major role in the perception of these sounds. Chordal work sounds incredibly differently here, thanks to separated bands of distortion and multi-channel panning enhancements.
#2010 DesertVoices¶
Combination of ‘GobiGuitar’ and ‘ChoralWindVerb’. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{R}{S} | [S] | 96kHz | 2, 2 |
#2011 Eurhetemec¶
E-z polyfuzz>verb. External Control is volume pedal. . Verbs output selectable. Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{H} | [G] | 96kHz | 2, 4 |
#2012 EZPolyfuzzBandelay¶
Ez version of ‘PolyfuzzBandelay.’ Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{M}{F}{Y}{R} | [G] | 96kHz | 2, 2 |
#2013 GobiGuitar¶
Polydriver>diffussion>delay. Delay lets you choose output path. Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#2014 Horrormonics¶
Great for harmonics. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#2015 Hyperstrings¶
Ez polyfuzz with diffusors set to ‘imply’ a bowed attack. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#2016 Polyonyx¶
comp>polyfuzz>delays. With several ganged parameters this one gives a lot of flexibility while still being (relatively) easy to handle. Gates on the fuzz as well as on the delays allow lots of enveloping possibilities. Quad out lets you really fill the space. Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{Z} | [G][B] | 96kHz | 2, 4 |
#2017 PolyReverse¶
Polyfuzz>reverse shift>verb. Output switching on verb . Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#2018 PolyRingPre¶
Compression, PolyFuzz and ringmods. Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#2019 QuadPolyfuzz¶
Polyfuzz with gates for each band. Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#2020 SlidingOnRazors¶
Wammy, Wa, PolyFuzz, detuners and Verb. Pre and effects out 1/2, verb out 3/4. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#2021 Surgery¶
A four band (poly) process with: filt/ comp/ fuzz/ filt/ volped/ gate/ delay/ mixer. Allows precise tonal coloration for each band. Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#2022 WaPolyReverse¶
Polyfuzz(with wa)>reverse shift>verb. Output switching on verb . Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |