49 - Reverbs - Surround¶
Our first four channel reverbs collection! Amazing industry acclaimed room emulations, very realistic church spaces and entirely imaginary environments are offered here. These are very powerful and flexible structures that really deserve your attention. Countless different tweaks of any of these presets are possible. They just sound good! Also see the 5.1 reverbs in earlier banks.
#4910 AcousticRoom¶
Select reverb front/rear/both. Early refections are always front. Tweaked for acoustic/electric instruments. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G][B][V][K] | 96kHz | 2, 4 |
#4911 Basilica¶
Surround reverb - for long reverb timesreverb with separate tunable lowpass and parallel bandpass section, early reflections on output 1,2 reverb tail on ouputs 3,4 lowpass ‘rumble’ switchable bandpass ‘midtune’ on 1++3,2++4 . Summed in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 2, 4 |
#4912 Catacomb¶
Long ambient decay of reverb kept animated via sophisticated delay lines. Note long decay time but low hicut filter frequency. Output switching on verb. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#4913 ChoralEchoVerb¶
RandomChorusEchos + Verb. At load put cycles to 0 then back to 30 to settle chorus. Echos out 1/2 Verb’d out 3/4. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{R} | [K] | 96kHz | 2, 4 |
#4914 Cumulo-nimbus¶
Using some extremely long delay times, this effect is somewhere between a delay and reverb. Be careful with decay/feedback which is a function of the hicut, lowcut and rdecay parameters. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [K] | 96kHz | 2, 4 |
#4915 DetuneRoom#28¶
‘SurroundRoom 28’ with Detuners at outs. If detune is positive then front (+) and rear (-). If negative then the opposite. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{R} | [G] | 96kHz | 2, 4 |
#4916 DiffuseRoom#24¶
‘SurroundRoom 24’ with switchable diffusion added to the structure. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R}{O} | [G] | 96kHz | 2, 4 |
#4917 EchoRoom¶
This verb has four early reflection delays into the diffusor/reverb network. Early reflections out 1+2, verb out 3+4. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{R} | [K] | 96kHz | 2, 4 |
#4918 Gravity Verb¶
Series stereo flanger/delays embedded between the diffusion and the reverb give a sheen to this preset. The delays are driven off of a single LFO rate with a 90 degree lag to the second pair. The reverb itself may be output to the front, rear or both. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{R} | [G] | 96kHz | 2, 4 |
#4919 ImpWaveQuad¶
Surround version of ‘imp wave verb’. Dynamic impulse wave and reverb. Great for image and thickening. Multitap out 1/2, Verb out 3/4. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{Y}{R} | [K] | 96kHz | 2, 4 |
#4920 Joystik>verb¶
Joystick panning into a true 4 chan reverb. Panner: Joystick controlled panning mod1 = X mod2 = Y ring1 = write channel ring2 = status. Activate desired chan & toggle between ‘locked’ and ‘writing’ modes. Verb: 4 diffusors and 4 chan verb. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 4 |
#4921 Klaus’ Church¶
surround reverb with 2 parallel, separate tunable bandpass delay strings. early reflections on output 1,2 reverb tail on ouputs 3,4 bandpass1 ‘mid 1’ on 1++3 - 2++4 bandpass2 ‘mid 2’ on 2++4 - 1++3. Mono in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R}{O} | [R] | 96kHz | 2, 4 |
#4922 Mix>FourSidedVerb¶
Quad mixing of the four input channels into 4 diffusors and 4 chan verb. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#4923 Mix>Quadroom#10¶
Like ‘panped>truEQuad’ but with four inputs to a quad mixer to place those four sources in the field. Into a true quad reverb. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [K] | 96kHz | 4, 4 |
#4924 Mix>Quadroom#24¶
Quad version of ‘Room 24’ with input mixing and placement. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 4 |
#4925 MonkRoom¶
Modulating reflections and a 24 tap surround reverb. Tweaked for lots of texture. Think gregorian monks in an echo-cathedral. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{R} | [G][K] | 96kHz | 2, 4 |
#4926 Panped>Quadroom#10¶
Pan a single input in the four channel field into a true quad reverb. Quad in, quad out.
< 0=left 100=right < 0=front 100=rear 50=center turn knobs to start
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 4 |
#4927 Panped>Quadroom#24¶
Pan a single input in the four channel field into ‘QuadRoom 24’. Quad in, quad out.
< 0=left 100=right < 0=front 100=rear 50=center turn knobs to start
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 4 |
#4928 QuadRoom#24¶
Quad version of ‘Room 24’. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#4929 QuadVerb/Crossfeed¶
Quad Reverb - All four inputs are shared by both the front and rear Reverb Engines. Control the amout of this sharing by using the X-Feed control. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 4 |
#4930 SaxRoom¶
Quad version of ‘Room 24’. This one tweaked for horns. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [H] | 96kHz | 4, 4 |
#4931 StringRoom¶
Similar to ‘MonkRoom’ without the early reflections. This surround room is tweaked for strings. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [R] | 96kHz | 2, 4 |
#4932 SurroundRoom#28¶
Similar to ‘Room 24’ - this one has 32 delays, making it extremely smooth and dense. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [B] | 96kHz | 2, 4 |
#4933 Toonchamber_Q¶
Diffusion > e/r > verb. Diffusion + E/R front, verb tail rear. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#4934 Unreelroom_Q¶
Detuners/ early reflections parallel with diffusion>verb. Early reflections out 1+2, verb out 3+4. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P}{R} | [K] | 96kHz | 2, 4 |
#4935 4 Room#16 Verbs¶
Four 16 delay mono I/O reverbs. Bpm is global for all verbs. t_rdecay params go to ‘12 bars’ but rdecay params goes out to ‘1000 seconds’. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [K] | 96kHz | 4, 4 |
#4936 FourSidedVerb¶
Each input has a detuned throw to its mated pair 1>2, 2>1, 3>4, 4>3. Then into 4 diffusors and 4 chan verb. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [K] | 96kHz | 4, 4 |