57 - Shifters - Unusual¶
This bank offers the most creative pitch shifting applications in the industry: classic Eventide “crystals”, interactive shifters, pads, polyrhythmic modulatable shifters… all very imaginative and offering musical tools for just about any source.
#5709 Aliens¶
two reverse shifts Stereo in, stereo out
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{M} | [S] | 96kHz | 2, 2 |
#5710 Angelic Echos¶
Angelic echos with chorus and reverb. Delay parallel to pitch>verb. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5711 Bubbly Freq Flange¶
A freq shifter is modulated by an LFO. ‘Channels’ 1 & 2 are cross fed into each other as are 3 & 4. Sounds like psychedelic audio bubbles. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#5712 Chim-Chiminee¶
Nice, arpegiated shifts with octaves and fifths. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5713 Crystal 5th Caves¶
Simpler, pitched echos with reverb. Try different shift amounts. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5714 Crystal Caves¶
Pitch and reverb. Pitch has level param and a <mix to verb> param. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5715 Crystal Heaven¶
Octaves chorused and reverb-ed. Stereo shift, delay and reverb. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5716 Crystal Oct & 5ths¶
Just like ‘Crystal Octaves’ except some fifths are thrown in for a more organ-like effect. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5717 Crystal Octaves¶
Octave echos build upon each other to add a crystalline string sound to your instrument. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{F}{Y} | [F] | 96kHz | 2, 2 |
#5718 Crystal Orbits¶
Crystals > ringdelays > reverb. Huge textural bed is created. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5719 Crystal Pad 2¶
Shimmering, squeaky fields. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5720 Crystal Sevenths¶
Just like ‘Crystal Octaves’ except some fifths are thrown in for a more organ-like effect. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5721 Crystal Worlds 2¶
Crystals > st delays > reverb. Like ‘crystal orbits’ this one with the crystals in series. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5722 CrystalGyroscope¶
Dual shifters into a gyroscopic panner. Pan makes little circles while Precess rotates them. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5723 Dinosaurs¶
Look out behind you… Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5724 Doppler Pass¶
Pans and pitchshifts inputs to create a doppler pass effect. Trigger makes effect happen. Select direction of movement with 1st param on Main menu. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 4 |
#5725 DuckedCrystals¶
Two voice ducked reverse shifters. ‘Thresh’ is ducking sensativity. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5726 Fake Pitch Shift II¶
Pitch Shifts signal by selectively sampling modulating delay lines. Not neat and tidy at all, but unique. It takes a minute for parameter changes to take effect. Summed in, mono out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{P} | [H][K] | 96kHz | 2, 2 |
#5727 FreqShift W/Delay¶
Simple freq shifter with delay. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#5728 FreqShift W/Delay8¶
Simple freq shifter with delay. Octal in, octal out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 8, 8 |
#5729 Genesis II¶
Crystals > moddelays > reverb. Like ‘crystal orbits’ this one has the crystals in series and in a ‘forward’ direction. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{R} | [K] | 96kHz | 2, 2 |
#5730 Latin Cathedral¶
An interesting reverb made by using reverse delays. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [R] | 96kHz | 2, 2 |
#5731 ReverseTetra¶
Four parallel reverse shifters with independent controls. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 2, 2 |
#5732 Shift To Nowhere¶
Divides input into octaves and ‘switches’ them. Signal is shifted, but it doesn’t go anywhere! Decrease input gain to avoid distiortion. Use output gain to compensate. Increase Delay and Length for more interesting effect. Summed in, mono out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P} | [B] | 96kHz | 2, 4 |
#5733 Steeplechase¶
Polyrhythmic shifted delays. Modulation of the shifters will have you wondering who’s chasing who. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{P} | [G] | 96kHz | 2, 2 |
#5734 StringTrio¶
Non-diatonic interactive shifter with verb. Choose three intervals for each of two shifts which are triggered by source level and randomly chosen. Envelope control of shifts and source helps to emulate strings. Stereo in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P}{O}{R} | [R] | 96kHz | 2, 4 |
#5735 Scary Movie & Verb¶
H3000 Scary Movie into verb. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{O} | [K] | 96kHz | 2, 2 |
#5736 Ominous Morphing¶
Morphs a vocal track into an ominous verbed one. You can preset morph times and 2 shifters and feedback settings (A/B). Reverse/Forward is also available. Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{R}{S} | [V] | 96kHz | 2, 2 |
#5737 Lunatics¶
This guy has a problem… DEFINITELY! Use dialogue thru this algorithm. All sort of personality splits, sweeps, moods…. you’ll never be the same again. Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{O}{S} | [V] | 96kHz | 2, 2 |
#5740 5.1 Reverse Crystals¶
The classic magic Eventide reverse crystals effect for surround work. 5.1 I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{S} | [G][B] | 96kHz | 6, 6 |
#5741 Adventure¶
A huge pad, with 4 delays into plex, 4 detuners into plex, and 4 reverse shifters into plex with routing option, all sent into reverb. A combination of compressor and gate is swelling incoming signal. Sum in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{R}{S} | [V] | 96kHz | 2, 2 |
#5742 Diamond Rain¶
4 reverse shifters into plex in series with 4 detuners into plex. Sum in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{O} | [B] | 96kHz | 2, 2 |
#5743 GloriousAngelics¶
A combination of Glorious Chorus Canyon & Angelic Echoes. Which means a friggin huge canyon verb with EQ and chorus into pitch shifted echoes with chorus and reverb, w/delays in parallel to pitch>verb. Chr>angel param sets how much the first preset is blended into the second. Sum in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P}{O} | [K] | 96kHz | 2, 2 |