96********************* 32 - Parallel Effects *****************
This is a bank of power! The algorithms here contain 3 or 4 stereo processors, mostly run in parallel, substituting for a full rack of modern or vintage units. Taking advantage of the great number of inputs and outputs of the H9000, you will be able to process many sources through these “virtual machines,” covering a great range of the most widely used effects.
#3210 4CompEq_2VintDuckDly¶
In1 > Comp1 > 3B Eq1 > Out1 In2 > Comp2 > 3B Eq2 > Out2 In3 > Comp3 > 3B Eq3 > Out3 In4 > Comp4 > 3B Eq4 > Out4 All mono I/O Ins5&6>Vintage St DuckDly1>Outs5&6 Ins7&8>Vintage St DuckDly2>Outs7&8 Inputs to each stereo delay is selectable among each of the 4 CompEqs or the inputs 5&6 or 7&8. Sum mono or stereo I/Stereo O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{C}{S} | [G][R] | 96kHz | 8, 8 |
#3211 Acoustic Gtr Mondo¶
Ins1+2 > Shift>Compr>Verb > Outs1&2 Sum In/Stereo Out Ins3&4 or Dry+Shift(1+2)>Chorus>Outs3&4 Stereo I/O Ins5+6 or Verb(1+2)>Undulator>Outs5&6 Stereo I/O. Great w/acoustic guitars!
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{O} | [G] | 96kHz | 6, 6 |
#3212 Delays Suite¶
Ins 1&2 > Band Dlys4 > Outs 1&2 Stereo I/O Ins 3&4 > Filtered Dlys > Outs 3&4 Stereo I/O Ins 5&6 > Vintage Duck Dlys > Outs 5&6 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G][B] | 96kHz | 6, 6 |
#3213 DShif_VDly_Hall¶
Ins 1+2 >2v Diatonic Shift > Outs 1 & 2Sum I/Stereo O Ins 3&4 > Vintage St Delays>Outs 3&4 Stereo I/O Ins 5&6 > Vocal Hall > Outs 5&6 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P} | [G][B] | 96kHz | 6, 6 |
#3214 Dtune_VDly_Hall_EQ¶
Ins 1+2 > Detuner > Outs 1 & 2 Sum I/Stereo O Ins 3&4 > Vintage St Delays>Outs 3&4 Stereo I/O Ins 5&6 > Vocal Hall > Outs 5&6 Stereo I/O Ins 7&8 > St 3 band Eq > Outs 7&8 Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#3215 Mpitch_Pcm70_PanDly¶
Ins 1&2>H3000 Micropitch > Outs 1&2 Stereo I/O Ins 3+4> Pcm70 Hall > Outs 3&4 Sum I/Stereo O Ins 5&6 or pitch out> pan DDL>Outs 5&6 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{F} | [G] | 96kHz | 6, 6 |
#3216 Plate_Inv_VintDly_Ch¶
Ins1&2>e/r>diff>drum plate verb>outs1&2 Stereo I/O Ins3+4 > inverse verb > outs 3&4 Sum I/stereo out Ins5+6 > vintage stereo delay >outs 5&6 Stereo I/O Ins7&8 > stereo chorus > outs 7&8 Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{R} | [G] | 96kHz | 8, 8 |
#3217 Q Delays_Ambience¶
Ins 1/2/3/4 > Quad Dlys > Outs 1/2/3/4 Each input feeds a diffusor (master) which feeds a moddly w/filters and another diffusor in its fdback path. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high fback settings! Quad I/O Ins 5 & 6 > Ambience > Outs 5 & 6 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{R} | [G] | 96kHz | 6, 6 |
#3218 Virtual Rack 1¶
Ins 1+2 >H3000 dual Shift > Outs 1 & 2 Summed I/Stereo O Ins 3+4>2290 TT dyndly+pan+duck>Outs3&4 Summed I/Stereo O Ins 5+6>1210 st chrs/flanger > Outs 5&6 Summed I/Stereo O Ins 7+8> PCM70 Hall > Outs 7 & 8 Summed I/Stereo O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [H] | 96kHz | 8, 8 |
#3219 Virtual Rack 2¶
Ins 1+2 >H3000 dual Shift > Outs 1 & 2 Summed I/Stereo O Ins 3+4>2290 TT dyndly+pan+duck>Outs3&4 Summed I/Stereo O Ins 5+6>1210 st chrs/flanger > Outs 5&6 Summed I/Stereo O Ins 7+8> PCM70 Hall > Outs 7 & 8 Summed I/Stereo O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#3220 Virtual Rack 3¶
Ins 1+2 >H3000 dual Shift > Outs 1 & 2 Summed I/Stereo O Ins 3+4>2290 TT dyndly+pan+duck>Outs3&4 Summed I/Stereo O Ins 5+6>1210 st chrs/flanger > Outs 5&6 Summed I/Stereo O Ins 7+8> PCM70 Hall > Outs 7 & 8 Summed I/Stereo O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 8, 8 |
#3221 VoxPro_Vdly_Chorus¶
In1>compr>eq>micropitch/verb>outs 1&2. Mono I/Stereo O. Don’t mix dry in. Use dry level as post compressor & eq level. Ins 3&4 > vintage st delay > outs 3&4. Stereo I/O. Ins 5&6 > stereo chorus > outs 5&6. Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{F} | [G] | 96kHz | 6, 6 |
#3222 Compr>3band Eq 8ch¶
8 channels Compr>3band Eq. 8ch I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{N}{C}{F} | [B] | 96kHz | 8, 8 |
#3223 CrWrlds2+SPlt+AMSDMX¶
Crystal Worlds 2 + Stereo Plate + AMS DMX 1580S presets merged, respectively on I/Os 1+2, 3+4 & 5+6.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{Z} | [D][B] | 96kHz | 6, 6 |
#3230 Angel Echos+St.Plate¶
Angelic echos with chorus and reverb on I/Os 1+2. Delay parallel to pitch>verb. Stereo in, stereo out.
Dense, midrangy stereo plate on I/Os 3+4. A little like most plates but different. Stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{P} | [G][B] | 96kHz | 4, 4 |
#3231 Bandtaps+CrsSpOBrian¶
Series delays with filters on I/OS 1+2. Summed in, stereo out.
Huge plexverb into chorus delays on I/Os 3+4. Good for slow attack sounds. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{F} | [G][K] | 96kHz | 4, 4 |
#3232 BrassPlt+1210Chorus¶
On I/Os 1+2 Stereo diffusor > verb + 4 parallel delay lines. 1st set of delays (1sec) has no feedback, 2nd set of delays (2.8sec) has feedback. A post hicut filters the whole processing path. Stereo in, stereo out. On I/Os 3+4 1210 Stereo Chorus/Flanger replicant. 2 full stereo units in parallel, one tweaked for chorus, the other for flanger. Stereo in/Stereo out.
1210 Stereo Chorus/Flanger replicant. 2 full stereo units in parallel, one tweaked for chorus, the other for flanger. Stereo in/Stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{S} | [G] | 96kHz | 4, 4 |
#3233 ClrmntnDlys+EMTplate¶
More than your usual echoes. Has subtle filtering and shifting, on I/Os 1+2. Summed in, stereo out.
Warm emulation of a EMT style plate with childproof controls on I/Os 3+4. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{S} | [G] | 96kHz | 4, 4 |
#3234 CrWrlds2+AMSDMX1580S¶
Crystal Worlds 2 on I/Os 1+2. Summed inputs/stereo output.
AMS emulation on I/Os 3+4. Switchable in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{R} | [G] | 96kHz | 4, 4 |
#3235 MattFatRoom+VintDlys¶
Matt’s Fat Room on I/Os 1+2. Switchable mono/stereo in, stereo out. Vintage Dlys on I/Os 3+4. Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{M}{R} | [G] | 96kHz | 4, 4 |
#3236 MicroPitch+Room#24¶
Micropitch shifting for thickening effects on I/Os 1+2. Stereo I/O. Room #24 on I/0s 3+4. Stereo I/O. With 24 delays this is a lush environment.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{F} | [F] | 96kHz | 4, 4 |
#3237 TapdlyPlex+BlackHole¶
t_delay 4 plex on I/Os 1+2. Summed in, stereo out.
An abnormally large reverb, sucking everything into a bottomless chamber on I/Os 3+4. Try setting the diffuser to 68 and the size to 91 for a reverse hole. Summed in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M} | [G] | 96kHz | 4, 4 |