10 - Dual Machines¶
Every algorithm in this bank contains two full blown stereo processors, ready for your tracking, mixing or FoH work. All effect types are available here, taking advantage of four inputs and outputs to independently manage the two algorithms. You easily can turn your H9000 into 32 stereo independent machines by loading four of these algorithms into each FX Chain.
#1010 6 V Dlys & Verb¶
Ins 1&2>6 dly lines w/pre diffusor, modulation & hicut > Outs 1&2. Stereo I/O Ins3&4 > verb w/early reflections, echoes & diffusors > Outs 3&4. Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{R} | [G] | 96kHz | 4, 4 |
#1011 Band Dlys 4_Ambience¶
Ins 1&2 > Band Dlys 4 > Outs 1&2 Stereo I/O Ins 3&4 > Ambience > Outs 3&4 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [K] | 96kHz | 4, 4 |
#1012 Dly>Phsr_Ambience¶
Ins1&2>Vint DuckDlys> Phaser>Outs1&2 Stereo I/O Ins3&4 or Phaser > Ambience > Outs 5&6 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#1013 Dly>Phsr_MPitch¶
Ins1&2>Vint DuckDlys> Phaser>Outs1&2 Stereo I/O Ins3&4> Micropitch > Outs3&4 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#1014 DShif_Hall¶
Ins 1+2 >4v Diatonic Shift >Outs 1&2 Sum I/Stereo O Ins 3&4 > Vocal Hall > Outs 3&4 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P} | [G] | 96kHz | 4, 4 |
#1015 Dtune_Hall¶
Ins 1+2 > Detuner > Outs 1 & 2 Sum I/Stereo O Ins 3&4 > Vocal Hall > Outs 3&4 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P}{R} | [G] | 96kHz | 4, 4 |
#1016 Dtune_VinDly¶
Ins 1+2 > Detuner > Outs 1 & 2 Sum I/Stereo O Ins 3&4 > Vintage St Delays>Outs 3&4 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P} | [G] | 96kHz | 4, 4 |
#1017 DynoMyPiano_Ambience¶
Songbird/DyTronics Dyno My Piano Tri Stereo Chorus 1380 S replica in parallel to Ambience verb. Ins1+2 > TriStChorus >Outs 1 &2 Sum I/Stereo O. Ins3&4 >Ambience>Outs3&4 Stereo I/O. Very popular chorus unit in early 80s. The 3 L/C/R lfo faders control progressive waveshaping of the modulation. pullouts: here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{O} | [K] | 96kHz | 4, 4 |
#1018 DynoMyPiano_VintDlys¶
Songbird/DyTronics Dyno My Piano Tri Stereo Chorus 1380 S replica in parallel or series to Vintage Delays. Ins1+2 > TriStChorus >Outs 1 &2 Sum I/Stereo O. Ins3&4 or Chorus out >VintDlys>Outs3&4 Stereo I/O. Very popular chorus unit in early 80s. The 3 L/C/R lfo faders control progressive waveshaping of the modulation. pullouts: here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [K] | 96kHz | 4, 4 |
#1019 FltDlys_Rich Chamber¶
Ins 1&2 > Filtered Dlys > Outs 1&2 Stereo I/O Ins 3&4 > Rich Chamber > Outs 3&4 Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{F} | [G] | 96kHz | 4, 4 |
#1020 Hall_Dual 2Tap Dly¶
Ins 1&2 > Wide Hall > Outs 1&2 Stereo I/O Ins 3&4 > Dual 2 tap dly> Outs 3&4 Each input feeds a diffusor (master) which feeds 2 parallel moddlys w/filters and another diffusor in their feedback paths. Thick diffused polyrhythms are possible. Pre-delays diffusors params are in the master menu. Feedback diffusors are in the taps menus. Reduce input trim to -6/10dB w/high feeback settings! Vintage sound for the connoisseur. Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#1021 Modulation Suite¶
Songbird/DyTronics Dyno My Piano Tri Stereo Chorus 1380 S and TC1210 Stereo Chorus replicas in parallel. Ins1+2 > TriStChorus >Outs 1 &2 Sum I/Stereo O. Ins3&4>TC1210>Outs3&4 Stereo I/O. The Dyno was a very popular chorus unit in early 80s. The 3 L/C/R lfo faders control progressive waveshaping of the modulation. pullouts: here are controls for the original knobs pullouts that enhance the spatial perception of each chorus line and engage feedback for flanging. The 1210 Stereo Chorus/Flanger features 2 full stereo units in parallel, one tweaked for chorus, the other for flanger.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{M} | [K] | 96kHz | 4, 4 |
#1022 Piano & Vocal Halls¶
Ins 1&2 > Piano Hall > Outs 1&2 Stereo I/O Ins 3&4 > Vocal Hall > Outs 3&4 Stereo I/O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 4 |
#1023 Snare Plate&Inverse¶
Ins 1&2 > Snare Plate > Outs 1&2 Syetero I/O Ins 3&4 > Inverse Snare > Outs 3&4 Sim I/Stereo O
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#1024 Vox Pro_VintDly¶
Ins 1&2 >compr>eq>micropitch//verb>outs1&2. Sum I/Stereo O. Don’t mix dry in. Use dry level as post compressor and eq level. Ins 3&4 > vintage st delay > outs 3&4. Stereo I/O.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#1030 2 Stereo Verbs¶
Two identical stereo reverbs - one on each stereo channel. Adjust to taste. Dual stereo in, dual stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 4 |
#1031 2 St.verbs(mixed)¶
Two identical stereo reverbs - one on each stereo channel. Adjust to taste. The reverb outputs are mixed to outs 1&2. Dual stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 4, 2 |
#1032 4 Stereo Verbs¶
Four identical stereo reverbs - one on each stereo channel. Adjust to taste. Quad stereo in, quad stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{R} | [G] | 96kHz | 8, 8 |
#1033 4 Stereo Verbs 2¶
Four identical stereo reverbs - one on each stereo channel. Use master or local controls and adjust to taste. Quad stereo in, quad stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{R}{S} | [G] | 96kHz | 8, 8 |
#1034 AMSDMX/2BPMDDLS¶
Classic AMS Dmx 1580 emulation. Inputs 1&2 2 BPM delays discrete. Quad in, quad out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#1035 AMS/BPMDDLSmixed¶
Classic AMS Dmx 1580 emulation. Inputs 1&2 2 BPM delays discrete, inputs 3&4 include a stereo mixer. Use outputs 1&2 for returns. Dual stereo in, stereo out.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 2 |
#1036 Midi Dual FX #1¶
Micropitch on I/Os 1 and 2. Summed I/Stereo O. Stereo Dynamic Delay on I/Os 3 and 4. Stereo I/O. Each FX can store 10 tweaks. All params marked with a * are remembered by each tweak and remoted by the Tweak # knob.
External Controls are used to remote the 2 fx Tweak # knobs separately. Patch 2 midi CCs to these, using values 1 to 10 to recall single tweaks.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{P} | [V] | 96kHz | 4, 4 |
#1037 Midi Dual FX #3¶
Stereo Chorus/Flanger on I/Os 1 and 2. Stereo I/O. Stereo FM Tremolo on I/Os 3 and 4. Stereo I/O. Each FX can store 10 tweaks. All params marked with a * are remembered by each tweak and remoted by the Tweak # knob.
External Controls are used to remote the 2 fx Tweak # knobs separately. Patch 2 midi CCs to these, using values 1 to 10 to recall single tweaks.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D}{M}{U} | [B] | 96kHz | 4, 4 |
#1038 Midi Dual FX #2¶
Dual Dly on I/Os 1 and 2. Stereo I/O. Stereo Reverb on I/Os 3 and 4. Stereo I/O. Each FX can store 10 tweaks. All params marked with a * are remembered by each tweak and remoted by the Tweak # knob.
External Controls are used to remote the 2 fx Tweak # knobs separately. Patch 2 midi CCs to these, using values 1 to 10 to recall single tweaks.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#1039 Midi Dual FX #4¶
Stereo Plate verb on I/Os 1 and 2. Stereo I/O. Stereo Hall verb on I/Os 3 and 4. Stereo I/O. Each FX can store 10 tweaks. All params marked with a * are remembered by each tweak and remoted by the Tweak # knob.
External Controls are used to remote the 2 fx Tweak # knobs separately. Patch 2 midi CCs to these, using values 1 to 10 to recall single tweaks.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#1040 Midi Dual FX #5¶
St XF4v chorus flanger on I/Os 1 & 2. Stereo I/O. St XF delays on I/Os 3 & 4. Stereo I/O. Each FX can store 10 tweaks. All params marked with a * are remembered by each tweak and remoted by the Tweak # knob.
External Controls are used to remote the 2 fx Tweak # knobs separately. Patch 2 midi CCs to these, using values 1 to 10 to recall single tweaks.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#1041 Midi Dual FX #6¶
St Mod detuners on I/Os 1 & 2. Stereo I/O. St XF delays on I/Os 3 & 4. Stereo I/O. Each FX can store 10 tweaks. All params marked with a * are remembered by each tweak and remoted by the Tweak # knob.
External Controls are used to remote the 2 fx Tweak # knobs separately. Patch 2 midi CCs to these, using values 1 to 10 to recall single tweaks.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#1050 1980Chorus_DPFltrDly¶
Ins 1&2 > 1980s Chorus > Outs 1&2 Stereo I/O Ins 3&4 > DP Filtered Dlys > Outs 3&4 Stereo I/O Super cool chorus w/parabolic wave modulation and Micropitch algorithms. Interactive dynamic and static chorusing. Multitap delay lines with modulation, gain control & crossfading outputs. Crossfading is activated for all delay and gain changes including modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Dual precision filter inserted in the fback path. Dry level available.
Input 3 feeds dlys 1 & 2. Input 4 feeds dlys 3 & 4.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{P} | [G] | 96kHz | 4, 4 |
#1051 4RanXFChrs_DPDuckDly¶
Ins 1&2 > 4v RandomXF Chorus > Outs 1&2 Stereo I/O Ins 3&4 > DP Ducked Delays > Outs 3&4 Stereo I/O Multitap delay lines with modulation, gain control & crossfading outputs. Crossfading is activated for all delay and gain changes including modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Dry level available. Stereo digital delay with double precision 2 band filter in the feedback path and ducking. Vintage and modern delay sounds are possible here.
Input 1 feeds delays 1 & 2. Input 2 feeds delays 3 & 4.
Stereo digital delay with double precision 2 band filter in the feedback path and ducking. Vintage and modern delay sounds are possible here. Stereo I/O.
Gain won’t affect 3dB/Oct high & low cut filters.
Q won’t affect high low cut & bandpass filters.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [K] | 96kHz | 4, 4 |
#1052 DPDuckDlys_ModDetnrs¶
Ins 1&2 > DP Ducked Dlys > Outs 1&2 Stereo I/O Ins 3&4 > Stereo ModDetuners > Outs 3&4 Stereo I/O Stereo digital delay with double precision 2 band filter in the feedback path and ducking. Vintage and modern delay sounds are possible here. Detuners w/time and pitch modulation. Interesting new fx are possible. Input 3 > Detune 1 Input 4 > Detune 2.
Gain won’t affect 3dB/Oct high & low cutfilters.
Q won’t affect high low cut & bandpass filters.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
{D} | [G] | 96kHz | 4, 4 |
#1053 New Room_1980 Chorus¶
Ins 1&2 > New Room > Outs 1&2 Stereo I/O Ins 3&4 > 1980s Chorus > outs 3&4 Stereo I/O Stereo and X-channels diffusors into and around reverb. Stereo delays are post filters diffusors. Cross-diffusion makes ambience thicker and more realistic. Use diffusion and verb levels to balance the perception of walls and verb tail. Super cool chorus w/parabolic wave modulation and Micropitch algorithms. Interactive dynamic and static chorusing.
Diffusor output level in parallel to reverb. Useful for walls/ambience simulation.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#1054 New Room_DPDuckdDlys¶
Ins 1&2 > New Room > Outs 1&2 Stereo I/O Ins 3&4 > DP Ducked Dlys > Outs 3&4 Stereo I/O Stereo and X-channels diffusors into and around reverb. Stereo delays are post filters diffusors. Cross-diffusion makes ambience thicker and more realistic. Use diffusion and verb levels to balance the perception of walls and verb tail. Stereo digital delay with double precision 2 band filter in the feedback path and ducking. Vintage and modern delay sounds are possible here.
Diffusor output level in parallel to reverb. Useful for walls/ambience simulation.
Gain won’t affect 3dB/Oct high & low cutfilters.
Q won’t affect high low cut & bandpass filters.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |
#1055 RandXfFlang_DPFltDly¶
Ins 1&2 > Random XF flanger > Outs 1&2 Stereo I/O Ins 3&4 > DP Filtered Dlys > Outs 3&4 Multitap delay lines with modulation, gain control & crossfading outputs. Crossfading is activated for all delay and gain changes including modulation. Xfade times of less than about 20 mS will result in a slight pitching sound whereas xfade times greater than that will sound like skipping audio without the clicks and pops. Dry level available.
Input 1 > dly 1 Input 2 > dly 2
Input 3 feeds dlys 1 & 2. Input 4 feeds dlys 3 & 4.
Effect Type | Suggested Use | Max Sample Rate | In/Out |
|---|---|---|---|
~ | ~ | 96kHz | 4, 4 |