17 - Inst - Clean

Clean Preamp simulations with effects. We have used a guitar to set parameter values, particularly the EQ settings - feel free to adjust them to your needs. Preamp, compression, EQ and gate form the basic structure.

#1710 Acoustic Gtr Rack

EQ>Compression>Chorus>Delay>Reverb followed by a stereo out mixer. DLY>VRB knob controls input to the reverb section. Mono in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}	[G]	96kHz	2, 2

#1711 Bass Rack

EQ>Compression>Chorus>Delay>Reverb followed by a stereo out mixer. DLY>VRB knob controls input to the reverb section. Mono in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}	[B]	96kHz	2, 2

#1712 Biomechanica

Preamp>sample/hold filter>delay>verb. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}	[G][B]	96kHz	2, 4

#1713 CleanPreamp

clean preamp simulation. comp>EQ>vol pedal>gate. Summed in, dual mono out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{Y}	[H][B]	96kHz	2, 2

#1714 Fermilab

Preamp>phased multitaps. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}	[G]	96kHz	2, 2

#1715 Gerrys Bass 99

Bass rig: compressor into Eq, feeding a thickener and a fuzz. Tuner helps keeping life ‘in tune.’ Summed in, mono out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{N}{F}{Y}	[B]	96kHz	2, 2

#1716 Hexentanz

Preamp>combtaps>reverb. Reverb has output selection. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{F}	[G][B][K]	96kHz	2, 4

#1717 In Ovo

preamp>pingringpong>verb. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}	[G][K]	96kHz	2, 4

#1718 Jinn

Preamp>dual crystals>verb. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{P}	[G][B]	96kHz	2, 4

#1719 Parallel Pedalboard

Parallel pedalboard Compressor >, pitch+ flanger +echo+reverb with pan controls. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}{P}{R}	[B][V]	96kHz	2, 2

#1720 Piano (sustenudo)

Preamp>multitap>verb. Emulates the sustain pedal of a piano. External Control is the sostenuto pedal. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{R}	[K]	96kHz	2, 4

#1721 Series Pedalboard

Series pedalboard Compressor>pitch> flanger>echo>reverb with pan control. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{M}{Y}{P}{R}	[G][H][B][K]	96kHz	2, 2

#1722 Serpentine

Preamp>fm chorus>verb. Output selection of the reverb, front, rear or both. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{R}	[G][H][B]	96kHz	2, 4

#1723 The Gyre

preamp>bandtaps>verb . Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{F}	[G][B]	96kHz	2, 4

#1724 Tom’s Acoustic Gtr

Subtle enrichment effect. As the name implies try it with acoustic guitar or guitar played with an acoustic feel. Summed in, stereo out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{N}{O}	[G]	96kHz	2, 2

#1725 Twang Guitar

Preamp>FM Trem>delay>reverb. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}	[G]	96kHz	2, 4

#1726 Virtual Pedalboard

Rather than lug your pedalboard and rack into the studio, try this pedalboard emulation. Six separate effects, each with individual controls. Mono in, mono out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{M}{P}	[G][B][K]	96kHz	2, 2

#1727 White Queen

Preamp>dual crystals>diffusors. Summed in, quad out.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}{P}	[G][K]	96kHz	2, 4

#1728 Gilmour Dlys & Pan

Gilmour style stereo delays with frequency shifter panning the image. Stereo I/O.

Effect Type	Suggested Use	Max Sample Rate	In/Out
{D}	[G][B]	96kHz	2, 2